I told my wife, I said, "You get there at 5:30 you can fly with me but let me tell you something Sugar Tits, at 5:31 I am wheels up and I am fucking gone!" ...I said that. Not very loud, but I said it. 5:31 gets there. Is she there? No! Do I leave? [Majority of the audience says "Yes!"] ...No! 6:01 gets there. Is she there? No. Do I leave? No. Why? Because this dick won't suck itself, that's why. (10:29)
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Remember that you ought to behave in life as you would at a banquet. As something is being passed around it comes to you stretch out your hand, take a portion of it politely. It passes on do not detain it. Or it has not come to you yet do not project your desire to meet it, but wait until it comes in front of you. So act toward children, so toward a wife, so toward office, so toward wealth.
Epictetus
In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.
Ernest Hemingway
Painting is something that takes place among the colors, and one has to leave them alone completely, so that they can settle the matter among themselves. Their intercourse this is the whole of painting. Whoever meddles, arranges, injects his human deliberation, his wit, his advocacy, his intellectual agility in any way, is already disturbing and clouding their activity.
Rainer Maria Rilke
Our treatment of both older people and children reflects the value we place on independence and autonomy. We do our best to make our children independent from birth. We leave them all alone in rooms with the lights out and tell them, ''Go to sleep by yourselves.'' And the old people we respect most are the ones who will fight for their independence, who would sooner starve to death than ask for help.
Margaret Mead
The Mozart Festival Opera's production of Don Giovanni made the three hours fly. The miming between Stefano de Peppo and Vytautas Juozapaitis as Don Giovanni was great physical comedy that had the audience laughing out loud. Juozapaitis possessed the voice, swagger and stage presence to match and dominate Leporello, and his costumes are among the best I've seen. I think Mozart would have approved.
Vytautas Juozapaitis