In terms of his personal characteristics, Hayek was a very complicated personality. He was by no means a simple person. He was very outgoing in one sense but at the same time very private. He did not like criticism, but he never showed that he didn't like criticism. His attitude under criticism, as I found, was to say: "Well, that's a very interesting thing. At the moment, I'm busy, but I'll write to you about it more later." And then he never would! On the other hand, he wasn't like von Mises. He wasn't intolerant at all. You cannot conceive of Hayek doing the kind of thing that Mises did, when, for example, he wouldn't talk to Machlup for three years because Machlup had come out for floating exchange rates at a Mont Pelerin meeting. Hayek did not do that. That was, I believe, because of the influence of the London School on him. He was very much tempered by the London School.
Friedrich HayekRelated topics
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In a theory in which parameters are added to quantum mechanics to determine the results of individual measurements, without changing the statistical predictions, there must be a mechanism whereby the setting of one measuring device can influence the reading of another instrument, however remote. Moreover, the signal involved must propagate instantaneously, so that such a theory could not be Lorentz invariant. Of course, the situation is different if the quantum mechanical predictions are of limited validity. Conceivably they might apply only to experiments in which the settings of the instruments are made sufficiently in advance to allow them to reach some mutual rapport by exchange of signals with velocity less than or equal to that of light. In that connection, experiments of the type proposed by Bohm and Aharonov, in which the settings are changed during the flight of the particles, are crucial.
John Stewart Bell
I decided to take a calligraphy class to learn [the art of decorative or hand lettering]. I learned about serif and sans-serif typefaces, about varying the space between different letter combinations, about what makes great typography great. It was beautiful. Historical. Artistically subtle in a way that science can't capture. And I found it fascinating. None of this had any hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would never have multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them.
Steve Jobs
Our party has a mass character, and hundreds of thousands of member. Owing to the situation in our country the bulk of Party members spring from the petty bourgeoisie. There is nothing surprising in it. IN the beginning under the influence of bourgeois ideology the stand of some Party members may lack firmness, their outlook may be confused and their thinking not quite correct, but owing to the fact that they have been tempered in the revolution and the war of resistance, our Party members are by and large good militants, faithful to the Party and the revolution. Those Comrades know that those Party members who commit errors will lead the masses into error; therefore, they stand ready to correct any mistake they may make, and this in a timely way, and do not allow small errors accumulate into big ones. They sincerely practice criticism and self-criticism, which makes it possible for them to progress together.
Ho Chí Minh
We must grant the artist his subject, his idea, what the French call his donnée; our criticism is applied only to what he makes of it. Naturally I do not mean that we are bound to like it or find it interesting: in case we do not our course is perfectly simple - to let it alone. We may believe that of a certain idea even the most sincere novelist can make nothing at all, and the event may perfectly justify our belief; but the failure will have been a failure to execute, and it is in the execution that the fatal weakness is recorded. If we pretend to respect the artist at all we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions, and some of the most interesting experiments of which it is capable are hidden in the bosom of common things.
Henry James
In 1946, a Macy Foundation interdisciplinary conference was organized to use the model provided by "feedback systems," honorifically referred to in earlier conferences as "teleological mechanisms," and later as "cybernetics," with the expectation that this model would provide a group of sciences with useful mathematical tools and, simultaneously, would serve as a form of cross-disciplinary communication. Out of the deliberations of this group came a whole series of fruitful developments of a very high order. Kurt Lewin (who died in 1947) took away from the first meeting the term "feedback". He suggested ways in which group processes, which he and his students were studying in a highly disciplined, rigorous way, could be improved by a "feedback process," as when, for example, a group was periodically given a report on the success or failure of its particular operations.
Margaret Mead