In 1992 by chance I witnessed a drum and bugle corps competition on television and became aware of three-valve bugles. A year later my wife, Donna, and I attended a performance in La Mirada of the previous year's winner. I have experienced fine concert band performances and also good symphonies in my life, but what was not prepared for what I experienced that day. The entire bugle corps was turned away from us playing softly and suddenly they turned toward us and projected a very thick chord. Every hair on my body stood up (and I have a lot of it) and I decided at that moment to buy some of these instruments. In the next year I purchased approximately $14,000 worth of bugles. After having completed an orchestrational family all the way down to the contrabass bugle, I began writing. This album is the result of this particular interest in my sixth decade in music.
Clare FischerRelated topics
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What makes you think human beings are sentient and aware? There's no evidence for it. Human beings never think for themselves, they find it too uncomfortable. For the most part, members of our species simply repeat what they are told-and become upset if they are exposed to any different view. The characteristic human trait is not awareness but conformity, and the characteristic result is religious warfare. Other animals fight for territory or food; but, uniquely in the animal kingdom, human beings fight for their 'beliefs.' The reason is that beliefs guide behavior which has evolutionary importance among human beings. But at a time when our behavior may well lead us to extinction, I see no reason to assume we have any awareness at all. We are stubborn, self-destructive conformists. Any other view of our species is just a self-congratulatory delusion. Next question.
Michael Crichton
Darrall Imhoff, who as a 6-foot-10 rookie center for the New York Knicks had the misfortune of guarding Chamberlain during his 100-point game in 1962, said, "I spent 12 years in his armpits, and I always carried that 100-point game on my shoulders. "After I got my third foul, I said to one of the officials, Willy Smith, 'Why don't you just give him 100 points and we'll all go home?' Well, we did." Two nights later, at Madison Square Garden, Chamberlain tried to go for the century mark again. But Imhoff 'held' him to 54 points. The fans gave Imhoff a standing ovation. "He was an amazing, strong man," Imhoff said. "I always said the greatest record he ever held wasn't 100 points, but his 55 rebounds against Bill Russell. Those two players changed the whole game of basketball. The game just took an entire step up to the next level."
Wilt Chamberlain
Magazines were even more scarce than books. It was after I moved into "town" (speaking comparatively) that I began to buy magazines. I well remember the first I ever bought. I was fifteen years old; I bought it one summer night when a wild restlessness in me would not let me keep still, and I had exhausted all the reading material on the place. I'll never forget the thrill it gave me. Somehow it never had occurred to me before that I could buy a magazine. It was an Adventure. I still have the copy. After that I bought Adventure for many years, though at times it cramped my resources to pay the price. It came out three times a month, then... I skimped and saved from one magazine to the next; I'd buy one copy and have it charged, and when the next issue was out, I'd pay for the one which I owed, and have the other one charged, and so on. So I generally owed for one, but only one.
Robert E. Howard
During the war we had to stop producing the everyday things which we need in peacetime. We had to concentrate on war production and the bare necessities of existence. The natural result is that to-day we are short of the things which we need... You may ask why cannot we get what we want from abroad? The answer is that we can only get it if we can pay for it. Before the war many of the things which we got from abroad-food and raw material-were paid for by the interest on foreign investments, and by services rendered by us to people in other countries. During the war we had to sell our foreign investments to pay for the arms, food, and other things we needed. Apart from any temporary relief we may get by loans from our friends across the Atlantic, we can only buy from abroad now if we can pay by exporting goods or rendering services.
Clement Attlee
So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen.
John Cage