All right. I already see you turning off. I can see you say you don't understand me. You can't understand that it could be chance. "I don't like it!" Tough! I don't like it either, but that's the way it is! OK? I don't understand it either. ..."It must be that Nature knows that it's going to go up or down." No, it must not be that nature knows! We are not to tell Nature what she's gotta be! That's what we found out. Every time we take a guess as how she's got to be, and go and measure... She's clever. She's always got better imagination than we have, and she finds a cleverer way to do it than we have thought of. And in this particular case, the clever way to do it is by probability, by odds. ...[L]ight works by probability.
Richard FeynmanRelated topics
case chance found measure nature off probability right see take tell thought tough turning way worksRelated quotes
Proponents of doctrinal religions-ones in which a particular body of belief is prized and infidels scorned-will be threatened by the courageous pursuit of knowledge. We hear from such people that it may be dangerous to probe too deeply. Many people have inherited their religion like their eye color: they consider it not a thing to think very deeply about, and in any case beyond our control. But those with a set of beliefs they profess to feel deeply about, which they have selected without an unbiased sifting through the facts and the alternatives, will feel uncomfortably challenged by searching questions. Anger at queries about our beliefs is the body's warning signal: here lies unexamined and probably dangerous doctrinal baggage.
Carl Sagan
People who originally have no means but are ultimately able to earn a great deal, through whatever talents they may possess, almost always come to think that these are permanent capital and that what they gain through them is interest. Accordingly, they do not put aside part of their earnings to form a permanent capital, but spend their money as fast as they earn it. But they are then often reduced to poverty because their earnings decrease or come to an end after their talent, which was of a transitory nature, is exhausted, as happens, for example, in the case of almost all the fine arts; or because it could be brought to bear only under a particular set of circumstances that has ceased to exist.
Arthur Schopenhauer
...it was Darwin's chief contribution, not only to Biology but to the whole of natural science, to have brought to light a process by which contingencies a priori improbable, are given, in the process of time, an increasing probability, until it is their non-occurrence rather than their occurrence which becomes highly improbable. ... Let the reader ... attempt to calculate the prior probability that a hundred generations of his ancestry in the direct male line should each have left at least one son. The odds against such a contingency as it would have appeared to his hundredth ancestor (about the time of King Solomon) would require for their expression forty- four figures of the decimal notation; yet this improbable event has certainly happened.
Ronald Fisher
In America the architect has a direct and continuing relationship with technology. Perhaps this is why he does not ask more from technology than it can offer. In our country [Russia] it is still impossible to have such urban complexes as are found in Paris, Chicago, or Berlin. It is through technology that we can build a bridge to all the most recent achievements, which is what made it possible for our country to pass directly from the hoe to the tractor without having to travel the long path of historical development. That is why we want to introduce the most modern methods of building and construction into our country - and why we see the works and designs of both the 'formalists' and the 'constructivists' as a radical experiment in the manipulation of construction.
El Lissitsky
I'm able to paint so nice and thick with those big splodges that stay upright because I mix my own paint. I use the formula that the seventeenth-century painters used and I've added one or two things myself. A very important element is stand oil. I once got hold of a whole barrel full and I'm still using it. There are pots of it in all my studios, in New York, in Connecticut, in Monaco, and in Tuscany. [the oil had been found when an old paint shop closed down, in a] stock that had been there since the seventeenth century... I mix my oil paint with it, and I throw in a lot of eggs and some concentrated turpentine. It's as thick as homemade mayonnaise. When it dries it is as tough and hard as rubber.
Karel Appel