Looking at the Temple and the Courts and the mountain road that winds below, we see this picture of human evolution, and the track along which the race is treading, and the Temple that is its goal... along that road round the mountain stands a vast mass of human beings, climbing indeed, but climbing so slowly, rising step after step; sometimes it seems as though for every step forward there is a step backward, and though the trend of the whole mass is upwards it mounts so slowly that the pace is scarcely perceptible. And this aeonian evolution of the race, climbing ever upwards, seems so slow and weary and painful that one wonders how the pilgrims have the heart to climb so long...
Annie BesantRelated topics
climb evolution forward heart human looking mass mountain pace perceptible picture race rising road round see slow step trend vastRelated quotes
How do you take over the world? I've tried everything. Doomsday devices of every kind, nuclear, thermonuclear, nanotechnological, gadgets that fit in a shoe box and that were visible from space. I've tried mass mind control; I've stolen the gold reserves in Fort Knox, only to lose them again. I've traveled backward in time to change history, forward in time to escape it; I've stopped time altogether to live in a world of statues. I've commanded robot armies, insect armies, and dinosaur armies. Fungus army. Army of fish. Of rodents. Alien invasion. Interdimensional alien invasion. Alien god invasion. Even a corporate takeover, Impossible Industries, LLC. Each time it ended the same way. I've been to jail twelve times.
Austin Grossman
It is surely delightful, Sir, to look forward to that period when a series of liberal and prudent measures shall have delivered islands, so highly favoured by the bounty of Providence, from the curse inflicted on them by the frantic rapacity of man. Then the peasant of the Antilles will no longer crawl in listless and trembling dejection round a plantation from whose fruits he must derive no advantage, and a hut whose door yields him no protection; but, when his cheerful and voluntary labour is performed, he will return with the firm step and erect brow of a British citizen from the field which is his freehold to the cottage which is his castle.
Thomas Babington Macaulay
The Guide sang: Nearly they stood who fall; Themselves as they look back See always in the track The one false step, where all Even yet, by lightest swerve Of foot not yet enslaved, By smallest tremor of the smallest nerve, Might have been saved. Nearly they fell who stand, And with cold after fear Look back to mark how near They grazed the Siren's land, Wondering that subtle fate, By threads so spidery fine, The choice of ways so small, the event so great, Should thus entwine. Therefore oh, man, have fear Lest oldest fears be true, Lest thou too far pursue The road that seems so clear, And step, secure, a hair-breadth bourne, Which, being once crossed forever unawares, Denies return.
C. S. Lewis
Certain Socialist writers are fond of describing the Social-Democratic State of the future as implying the "emancipation of the proletarian and the woman." As regards the latter point, however, if emancipation is taken to include domination, we have not to wait so long. The highest development of modern capitalism, as exemplified in the English-speaking countries, has placed man to all intents and purposes, legally under the heel of woman. So far as the relations of the sexes are concerned, it would be the task of Socialism to emancipate man from this position, if sex-equality be the goal aimed at. The first step on the road towards such equality would necessarily consist in the abolition of modern female privilege.
Ernest Belfort Bax
Contrast = dissonance, and hence a maximum expressive effect. I will take as an example a commonplace subject: the visual effect of curled and round puffs of smoke rising between houses. You want to convey their plastic value.. .Here you have the best example on which to apply research into multiplicative intensities. Concentrate your curves with the greatest possible variety without breaking up their mass; frame them by means of the hard, dry relationship of the surfaces of the houses, dead surfaces that will acquire movement by being colored in contrast to the central mass and being opposed by live forms; you will obtain a maximum effect.
Fernand Léger