A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.
Hector BerliozRelated topics
able bird caricature composer crippling good hiatus illicit making music natural platitude point short sing sour text tune way NOTESRelated quotes
For example, throughout the long contest, extending over several decades, on the free [silver] coinage question, the existence of this motto on the coins was a constant source of jest and ridicule; and this was unavoidable. Everyone must remember the innumerable cartoons and articles based on phrases like 'In God we trust for the other eight cents'; 'In God we trust for the short weight'; 'In god we trust for the thirty-seven cents we do not pay'; and so forth and so forth. Surely I am well within bounds when I say that a use of the phrase which invites constant levity of this type is most undesirable.
Theodore Roosevelt
Pray go back and recollect one of the conclusions to which I sought to lead you in my very first lecture. You may remember how I there argued against the notion that the worth of a thing can be decided by its origin. Our spiritual judgment, I said, our opinion of the significance and value of a human event or condition, must be decided on empirical grounds exclusively. If the fruits for life of the state of conversion are good, we ought to idealize and venerate it, even though it be a piece of natural psychology; if not, we ought to make short work of it, no matter what supernatural being may have infused it.
William James
I only know three songs by REM and guess what? I don't like two of them! That's right, I'm not cool- I don't like REM. Don't hang out with me, I'm a nerd.
I saw REM, they're the best. The lead singer is so serious and heavy, he comes out, all, 'This next song is about the overcommercialization of rock and roll and how corporations have come and' -- hey, just sing the goddamn songs, alright buddy? I'm already depressed, I want you to make me shiny and happy!
The thing about Showtime is, it's basically softcore porn. I'm into it. I forget I have Showtime, until like, Saturday mornings when I get home from work, and it's: cartoon, cartoon, cartoon, 'Warning: This program contains massive nudity.
David Spade
"Try to be a man about whom nothing is known,” our father said, when we were young. Our father said several other interesting things, but we have forgotten what they were. "Keep quiet,” he said. That we remember. He wished more quiet. One tends to want that, in a National Park. Our father was a man about whom nothing was known. Nothing is known about him still. He gave us the recipes. He was not very interesting. A tree is more interesting. A suitcase is more interesting. A canned good is more interesting. When we sing the father hymn, we notice that he was not very interesting. The words of the hymn notice it. It is explictly commented upon, in the text.
Donald Barthelme
I've studied Ulysses in depth and still think it's a great and ground-breaking book, a brave and sincere trail-blazer - but also massively self-indulgent, baggy, and irritating.
Joyce was a wonderful liberator, but his approach is dangerous for a writer to emulate, since he had a massive ego and was convinced that every word he wrote was sacred. Have you seen his annotated proofs? He scarcely ever deleted a word, just added screeds and screeds more stuff in the margins. He also believed that people should, and would, read novels with the same slow, studious pondering of every word and phrase that they bring to ancient scripture, which I think is a stupid thing for a storyteller to expect.
Michel Faber