Pandu was married to Kunti, the adopted daughter of King Kuntibhoja. Her real father was King Sura of the Yadava clan. Kuntibhoja had adopted her and used her to serve a Brahmin visiting his court. This Brahmin [Durvasa] was known both for his irascibility and his great magical powers. Kunti served him so well that he blessed the king and gave Kunti several mantras with which she could call any god to father her child. In her childish curiosity, Kunti used one mantra and called Surya, the sun-god. He appeared immediately and begot a son on her. Frightened, Kunti put the child in a box, with gold and jewelery, and set it in the river. The boy was found and adopted by the suta Adhiratha, and became known as Karna.
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box boy brahmin call child court daughter father found gold great king known mantra married real river serve set wellRelated quotes
I used old comic clothes stuff in the early days. I had the big shoes, I had the tight clothes, in fact I played several different characters. I played one called Willie Work; he used to have wide shoulders, a little cat mustache, a high hat. Another one was called Lonesome Luke, and his clothes were tight with a little funny hat; he had a funny little mustache. But when I adopted the glasses, it more or less put me in a different category because I became a human being. He was a kid that you would meet next door, across the street, but at the same time I could still do all the crazy things that we did before, but you believed them. They were natural and the romance could be believable.
Harold Lloyd
How ironic the difference between me and my young son Absalom, between his soliciting the soundest means of overtaking me and having my life, while I was cudgeling my brains for a way to spare his. "Deal gently for my sake with the young man Absalom," were my mawkish words to my commanders as their men trooped past me toward the positions they would take up in the field outside the wood of Ephraim for the battle in which he would die. "Beware that none touch the young man Absalom," I urged like a fool. No, not like a fool, but like a fond, doting father who will overlook and excuse everything in the child he loves best, and who breaks his heart. And in that singular disparity in our desires abides his lasting victory over me: I loved him and he did not love me.
Joseph Heller
The legend of King Midas has been generally misunderstood. Most people think the curse that turned everything the old miser touched into gold, leaving him unable to eat or drink, was a lesson in the perils of avarice. But Midas's true sin was his failure to understand monetary economics. What the gods were really telling him is that gold is just a metal. If it sometimes seems to be more, that is only because society has found it convenient to use gold as a medium of exchange-a bridge between other, truly desirable, objects. There are other possible mediums of exchange, and it is silly to imagine that this pretty, but only moderately useful, substance has some irreplaceable significance.
Paul Krugman
I was a Yorkshire miner's son, the youngest of seven, and my mother was no longer so very young. She suffered from bad rheumatism in the back and would often say to me in winter, when I came home from school: 'Henry, boy, come and rub my back.' Then I would massage her back with liniment. When I came to model this figure [for his sculpture 'Seated Woman', 1957] which represents a fully mature woman, I found that I was unconsciously giving to its back the long-forgotten shape of the one that I had so often rubbed as a boy. Not just her shoulder but her whole back down from the shoulder blades with the skin close to the bone, to the fleshy lower parts. I had a strong sense of contrast between bone and flesh. I was seven or eight at the time [c. 1906].
Henry Moore
First contact with occult, magical and enchanting forces. One of his best friends, a very intelligent and affectionate pink cockatoo, died in the night of 5 January. It was a terrible shock for Max when he found the dead bird in the morning, at the same moment as his father told him of the birth of his sister, Loni. The boy's consternation was so great that he fainted. In his imagination, he linked the two events and made the baby responsible for extinguishing the bird's life. A series of psychological crises and depressions followed. A dangerous amalgamation of birds and human beings became firmly established in his mind and later found expression in his paintings and drawings.
Max Ernst