Therefore, the inhabitants of other stars - of whatever sort these inhabitants might be – bear no comparative relationship to the inhabitants of the earth (istius mundi ). [That is true] even if, with respect to the goal of the universe, that entire region bears to this entire region a certain comparative relationship which is hidden to us - so that in this way the inhabitants of this earth or region bear, through the medium of the whole region, a certain mutual relationship to those other inhabitants. (By comparison, the particular parts of the fingers of a hand bear, through the medium of the hand, a comparative relationship to a food; and the particular parts of the foot [bear], through the medium of the foot, [a comparative relationship] to a hand - so that all [members] are comparatively related to the whole animal.) Hence, since the entire region is unknown to us, those inhabitants remain altogether unknown.
Nicholas of CusaRelated topics
animal bear certain comparative earth entire food foot hide might region remain respect sort unknown way whatever parts starsRelated quotes
He who doeth good unto Me, it is as if he doeth good unto God, His angels and the entire company of His loved ones. He who doeth evil unto Me, it is as if he doeth evil unto God and His chosen ones. Nay, too exalted is the station of God and of His loved ones for any person's good or evil deed to reach their holy threshold. Whatever reacheth Me is ordained to reach Me; and that which hath come unto Me, to him who giveth will it revert. By the One in Whose hand is My soul, he hath cast no one but himself into prison. For assuredly whatsoever God hath decreed for Me shall come to pass and naught else save that which God hath ordained for us shall ever touch us. Woe betide him from whose hands floweth evil, and blessed the man from whose hands floweth good. Unto no one do I take My plaint save to God; for He is the best of judges. Every state of adversity or bliss is from Him alone, and He is the All-Powerful, the Almighty.
Báb
You start to think, when you're younger, how important everything is and how things have to go right-your job, your career, your life, your choices, and all of that. Then, after a while, you start to realise that – I'm talking the big picture here – eventually you die, and eventually the sun burns out and the earth is gone, and eventually all the stars and all the planets in the entire universe go, disappear, and nothing is left at all. Nothing – Shakespeare and Beethoven and Michelangelo gone. And you think to yourself that there's a lot of noise and sound and fury – and where's it going? It's not going any place... Now, you can't actually live your life like that, because if you do you just sit there and – why do anything? Why get up in the morning and do anything? So I think it's the job of the artist to try and figure out why, given this terrible fact, you want to go on living.
Woody Allen
[Meat industry] truly is a disgusting industry, all the more so because it's hidden. Have you ever seen animals being shipped to abattoirs? Do you even know where these abattoirs are? Have you ever seen an animal getting killed for the food you eat? It's a dark, dark, dark trade that nobody really knows about, and a hugely profitable one at that. ... If I don't believe in killing animals, why on earth would I do it for the sake of fashion ... I don't think there's any difference, because at the end of the day you're killing an animal and stripping its skin off its body. It's somebody's baby – or it has a baby – it breathes, it lives, it has emotions, it has feelings ... I find it fascinating that leather and fur are so often associated with the top luxury level of fashion. And yet leather, in this day and age, is probably cheaper than a piece of cotton. So there's such a tiny price put on an animal's life.
Stella McCartney
With respect to the homosocial/homosexual style, it seems to be possible to divide Victorian men among three rough categories according to class. The first includes aristocratic men and small groups of their friends and dependents, including bohemians and prostitutes; for these people, by 1865, a distinct homosexual role and culture seem already to have been in existence in England... It seems to have constituted a genuine subculture, facilitated in the face of an ideologically hostile dominant culture by money, privilege, internationalism, and for the most part, the ability to command secrecy... This role is closely related to - is in fact, through Oscar Wilde, the antecedent of - the particular stereotype that at least until recently has characterized American middle-class gay homosexuality; its strongest associations, as we have noted, are with effeminacy, transvestism, promiscuity, prostitution, continental European culture, and the arts.
Eve Kosofsky Sedgwick
We must grant the artist his subject, his idea, what the French call his donnée; our criticism is applied only to what he makes of it. Naturally I do not mean that we are bound to like it or find it interesting: in case we do not our course is perfectly simple - to let it alone. We may believe that of a certain idea even the most sincere novelist can make nothing at all, and the event may perfectly justify our belief; but the failure will have been a failure to execute, and it is in the execution that the fatal weakness is recorded. If we pretend to respect the artist at all we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions, and some of the most interesting experiments of which it is capable are hidden in the bosom of common things.
Henry James