If we look at the parpens piled up on the building site or at the block of bronze, nothing about them manifests that they are suited to being a house or a statue. ... Aristotle speaks of the materials considered as such in terms of "the buildable" (I, 201a 16, b Bf), coining an adjective whose suffix expresses capacity (what he calls dunamis). This capacity, as we have seen, cannot be grasped after the manner of that with which perception provides us (color, hardness, etc.); it requires a gaze capable of probing more deeply, of proceeding from the real to the possible-as when Michelangelo "sees" a David in the formless block abandoned by other sculptors.
Rémi BragueRelated topics
adjective block building color house nothing perception probing proceeding real seen site etc aristotle MichelangeloRelated quotes
Left to its own devices the market is capable of the most miraculous of inventions and the silliest of self-delusions. It is an extreme romantic. It also has a real purpose - the same one it has always had. That is to organize the supply and exchange of goods or to finance the production of goods - thus facilitating and financing the economy. But the market cannot achieve in a regular and lasting manner its own purpose because it is only an unconscious and abstract mechanism. The factor which must be added in order to create the restraint, balance, and consciousness necessary for long-term prosperity is human leadership. That leadership takes the form of effective regulation.
John Ralston Saul
But in the 1950s, many universities saw an advantage in building up all of the sciences and engineering with an eye toward obtaining federal grant money. No single institution did this better than Stanford University. And no one person was more attuned to using federal grants to build a university than its dean of engineering and eventual provost, Frederick Terman. Dr. Terman, trained as an electrical engineer, was an aggressive man with insight and boundless energy. When he began as dean, Stanford University was considered a good private regional school. When he retired as provost, it was arguably the best university for research in the nation.
Frederick Terman
Such a background might consist either of a racial tradition or a national experience. But in its lowest terms it must be characterized by a capacity for assimilation. While America is built on a broad faith in mankind, it likewise gains its strength by a recognition of a needed training for citizenship. The Pilgrims were not content merely to reach our shores in safety, that they might live according to a sort of daily opportunism. They were building on firmer ground than that. Sixteen years after they landed at Plymouth, they and their associates founded Harvard College. They institutionalized their faith in education; that was their offering for the common good.
Calvin Coolidge
The lack of individual prayer and communion with God has divorced modern Christians and Christian sects from Jesus' teaching of the real perception of God, as is true also of all religious paths inaugurated by God-sent prophets whose followers drift into byways of dogma and ritual rather than actual God-communion. Those paths that have no esoteric soul-lifting training busy themselves with dogma and building walls to exclude people with different ideas. Divine persons who really perceive God include everybody within the path of their love, not in the concept of an eclectic congregation but in respectful divine friendship toward all true lovers of God and the saints of all religions.
Paramahansa Yogananda
In 1964 I was at school, planning to study economics and sociology, when curiosity took me to the Tate Gallery to see an international survey exhibition of contemporary art. It brought together the painting and sculpture of the previous decade, beginning with the late works of the modern masters, Matisse and Picasso, and concluding with the twenty-seven year olds Allen Jones and David Hockney. I was bowled over. Suddenly, art was not just Turner and Constable, or Leonardo and Michelangelo, but objects of considerable size and brilliant colour, dealing with the sensations, subjects and issues of the Sixties.
Nicholas Serota