Feeling that the silver chord of life is loosing, and that his spirit is ready to quit her old companion the body, he extends himself on his bed - closes his eyes for the last time, with his own hands - folds his arms decently on his breast, then breathing out "Father of mercies! take me to thyself," - he fell asleep. Swift on angels' wings the brightening saint ascended; while voices more than human were heard (in Fancy's ear) warbling through the happy regions, and hymning the great procession towards the gates of heaven. His glorious coming was seen far off, and myriads of mighty angels hastened forth, with golden harps, to welcome the honored stranger.
Mason WeemsRelated topics
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But the Quincunx of Heaven runs low, and 'tis time to close the five ports of knowledge. We are unwilling to spin out our awaking thoughts into the phantasmes of sleep, which often continueth præcogitations; making Cables of Cobwebbes and Wildernesses of handsome Groves. Beside Hippocrates hath spoke so little and the Oneirocriticall Masters, have left such frigid Interpretations from plants, that there is little encouragement to dream of Paradise it self. Nor will the sweetest delight of Gardens afford much comfort in sleep; wherein the dulnesse of that sense shakes hands with delectable odours; and though in the Bed of Cleopatra, can hardly with any delight raise up the ghost of a Rose.
Thomas Browne
The Cry within me is a call to arms. It shouts: "I, the Cry, am the Lord your God! I am not an asylum. I am not hope and a home. I am not the Father nor the Son nor the Holy Ghost. I am your General!
"You are not my slave, nor a plaything in my hands. You are not my friend, you are not my child. You are my comrade-in-arms!
"Hold courageously the passes which I entrusted to you; do not betray them. You are in duty bound, and you may act heroically by remaining at your own battle station.
"Love danger. What is most difficult? That is what I want! Which road should you take? The most craggy ascent! It is the one I also take: follow me!
Nikos Kazantzakis
Tonight there was music in the saloon, a piano and a violin; two fat women with hard masculine faces and short haircuts. Their song was Over the Waves. Ta de da da, and I watched Camilla dancing with her beer tray. Her hair was so black, so deep and clustered, like grapes hiding her neck. This was a sacred place, this saloon. Everything here was holy, the chairs, the tables, that rag in her hand, that sawdust under her feet. She was a Mayan princess and this was her castle. I watched the tattered huaraches glide across the floor, and I wanted those huaraches. I would like them to hold in my hands against my chest when I fell asleep. I would like to hold them and breathe the odor of them.
John Fante
Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.
Stefan Zweig
My mother took me to town with her, and made me pass, as if by accident, through the yard of a slaughter-house. I saw some men, their arms naked and besmeared with blood, knocking a bull in the head; others cutting the throats of calves and sheep, and separating their still heaving limbs. Streams of smoking gore ran along the pavement. An intense feeling of pity, mingled with horror, seized upon me. I asked to be led away quickly. The thought of these scenes, the necessary preliminaries of one of those dishes of meat which I had so often seen on the table, made me take a disgust to animal food and inspired me with a horror for butchers.
Alphonse de Lamartine