As with other modern artists, his readings provided not an organized outlook but a kind of metaphysical hum that surrounded his mental operations. His thinking was truly systematic only when it dealt with achieving the reality of the art object as a "creation out of nothing," which was a common theme in New York art after the last war and the break with the European past.
Harold RosenbergRelated topics
art break common deal kind last nothing outlook past theme thinking war operationsRelated quotes
I have never concealed the fact and said it before the court in 1938 that I came from an anti-Semitic past and tradition... I ask only that you look at my life historically and take it as history. I believe that from 1933 I truly represented the Lutheran-Christian outlook on the Jewish question - as I revealed before the court - but that I returned home after eight years' imprisonment as a completely different person.
Martin Niemöller
Nothing is more common than energy in money-making, quite independent of any higher object than its accumulation. A man who devotes himself to this pursuit, body and soul, can scarcely fail to become rich. Very little brains will do; spend less than you earn; add guinea to guinea; scrape and save; and the pile of gold will gradually rise.
Samuel Smiles
Not so great in England at the moment; in an online poll we came last, we actually came bottom of European countries for quality of life, because of things like the weather, obviously, late retirement, poor holiday, poor public services, poor health service; it's basically just a kind of grey, godless wilderness, full of cold pies and broken dreams.
Bill Bailey
The metaphysical apologia at least betrayed the injustice of the established order through the incongruence of concept and reality. The impartiality of scientific language deprived what was powerless of the strength to make itself heard and merely provided the existing order with a neutral sign for itself. Such neutrality is more metaphysical than metaphysics.
Theodor Adorno
What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism.
Terry Eagleton