I don't like women. I never did. That's why I don't belong to women's lib. Most of my relatives were male. Women are the inferior sex. There's no doubt about it - women are the inferior sex, in every way. There's never been any woman genius - never. With all the opportunity in the world - all the leisure in the world, all the shelter - if women had any genius, it would've come out. It never did. There's been no woman Michelangelo, or Beethoven, or Mozart.
Taylor CaldwellRelated topics
doubt genius women inferior leisure lib male opportunity shelter way woman Beethoven Michelangelo MozartRelated quotes
I find it expressed in various passages of Scripture that the fact that God knows things while in a state of possibility, when their existence belongs to the future, does not change the nature of the possible in any way; that nature remains unchanged; and the knowledge of the realisation of one of several possibilities does not yet effect that realisation. This is likewise one of the fundamental principles of the Law of Moses concerning which there is no doubt nor any dispute.
Maimonides
I have never felt any inward assurance of genius, or any presentiment of glory or of happiness. I have never seen myself in imagination great or famous, or even a husband, a father, an influential citizen. This indifference to the future, this absolute self-distrust, are, no doubt, to be taken as signs. What dreams I have are all vague and indefinite; I ought not to live, for I am now scarcely capable of living.
Henri-Frédéric Amiel
Adultery is in most cases a theft in the dark. At such moments almost every woman betrays her husband's innermost secrets; becomes a Delilah who discloses to a stranger, discloses to her lover, the mysteries of her husband's strength or weakness. What seems to me treason is, not that women give themselves, but that a woman is prone, when she does so, to justify herself to herself by uncovering her husband's nakedness, exposing it to the inquisitive and scornful gaze of a stranger.
Stefan Zweig
But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence - of someone resenting the treatment of her sex and pleading for its rights.
Virginia Woolf
Women watched for the spectacular performances of the men, and there can be no reasonable doubt that the presence of an audience is a very important factor in shaping the men's behavior. In fact, it is probable that the men are more exhibitionistic because the women admire their performances. Conversely, there can be no doubt that the spectacular behavior is a stimulus which summons the audience together, promoting in the women the appropriate behavior.
Gregory Bateson