Camille Paglia quotes - page 9

Camille Paglia is an American academic, author, and social critic known for her provocative views on art, culture, and feminism. Her work often challenges mainstream feminist thought and explores the intersections of sexuality, history, and literature. She is recognized for her fearless critique of contemporary culture and her influence on public debates about gender and society. Here are 453 of her quotes:

[Feminism] is alienating women from their own bodies ... because they don't understand that they have something that men want, okay? So they're encouraged to interpret all male lust as oppressive and victimizing and negative, instead of seeing that it is up to them to husband this flame. They have a flame, and it's enormously powerful...

Camille Paglia

I like Sarah Palin, and I've heartily enjoyed her arrival on the national stage. As a career classroom teacher, I can see how smart she is - and quite frankly, I think the people who don't see it are the stupid ones, wrapped in the fuzzy mummy-gauze of their own worn-out partisan dogma. So she doesn't speak the King's English - big whoop! There is a powerful clarity of consciousness in her eyes. She uses language with the jumps, breaks and rippling momentum of a be-bop saxophonist. I stand on what I said (as a staunch pro-choice advocate) in my last two columns - that Palin as a pro-life wife, mother and ambitious professional represents the next big shift in feminism. Pro-life women will save feminism by expanding it, particularly into the more traditional Third World.

Camille Paglia

The instant myth of Amy Fisher turned feminist dogma on on is head: as in the hit films Fatal Attraction, Basic Instinct, and The Hand That Rocks the Cradle, woman rules and destroys. The femme fatale is for real.

Camille Paglia

As a teacher, I have seen time and again a certain kind of American middle-class girl who projects winsome malleability, a soft, unfocused help-me-please persona that, in adult life, is a recipe for disaster. These are the ones who end up with a string of abusive boyfriends or in sticky situations with overfamiliar male authority figures who call them "honey.”.

Camille Paglia

Every male copulating with a woman returns to his origins in the womb. Goethe postponed intercourse until he was forty. This must be related to his self-imposed distance from his forceful mother. To refuse phallic penetration is to refuse surrender to the female matrix.

Camille Paglia

Gay activism has been naive in its belligerent confidence that "homophobia” will eventually disappear with proper "education” of the benighted. Reeducation of fractious young boys on the scale required would mean fascist obliteration of all individual freedoms. Furthermore, no truly masculine father would ever welcome an feminine or artistic son at the start, since the son's lack of virility not only threatens but liquidates that father's identity, dissolving husband into wife. Later there may be public rituals of acceptance, but the damage will already have been done. Gay men are aliens, cursed and gifted, the shamans of our time.

Camille Paglia

Just released in 1994 is Christina Hoff Sommers's landmark study, Who Stole Feminism?, which uses ingenious detective work to unmask the shocking fraud and propaganda of establishment feminism and the servility of American media and academe to Machiavellian feminist manipulation. This bracingly precise, fact-based book should be required reading for every journalist. Sommers is a courageous academic philosopher who was one of the very first to systematically critique current feminist ideology and who took tremendous abuse for it. ... Sommers has done a great service for women and for feminism, whose fundamental precepts she has clarified and strengthened.

Camille Paglia

The more you know, the less you are impressed by Foucault.

Camille Paglia

The gargantuan promiscuity of the Seventies gay male world was a pagan phenomenon, unequaled in scale since the Roman empire.

Camille Paglia

The Apollonian and Dionysian, two great western principles, govern sexual personae in life and art. My theory is this: Dionysus is identification, Apollo objectification. Dionysus is the empathic, the sympathetic, emotion transporting us into other people, other palaces, other times. Apollo is the hard, cold separation of western personality and categorical thought. Dionysus is energy, ecstasy, hysteria, promiscuity, emotionalism -- heedless indiscriminateness of idea or practice. Apollo is obsessiveness, voyeurism, idolatry, fascism -- frigidity and aggression of the eye, petrification of objects. ... The quarrel between Apollo and Dionysus is the quarrel between the higher cortex and the older limbic and reptilian brains.

Camille Paglia

Women have been discouraged from genres such as sculpture that require studio training or expensive materials. But in philosophy, mathematics, and poetry, the only materials are pen and paper. Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome. Men's egotism, so disgusting in the talentless, is the source of their greatness as a sex. [...] Even now, with all vocations open, I marvel at the rarity of the woman driven by artistic or intellectual obsession, that self-mutilating derangement of social relationship which, in its alternate forms of crime and ideation, is the disgrace and glory of the human species.

Camille Paglia

I'm saying that men go from control by their mothers to control by their wives, and this is the horror of men's lives. And feminism refuses to see this.

Camille Paglia

[T]here's a lot to be said for celibacy, for the concentration of your mental and physical energy.

Camille Paglia

The only problem I have with computers and television is that when all cultures on earth reach the stage we are at it will lead to a kind of homogenization.

Camille Paglia

Sedgwick has managed to convert pedestrian critical skills and little discernible knowledge in history, philosophy, psychology, art or even pre-modern literature into a lucrative academic career.

Camille Paglia

For a decade, feminists have drilled their disciples to say, "Rape is a crime of violence but not of sex.” This sugar-coated Shirley Temple nonsense has exposed young women to disaster. Misled by feminism, they do not expect rape from the nice boys from good homes who sit next to them in class.

Camille Paglia

Emily Dickinson is the female Sade, and her poems are the prison dreams of a self-incarcerated, sadomasochistic imaginist. When she is rescued from American Studies departments and juxtaposed with Dante and Baudelaire, her barbarities and diabolical acts of will become glaringly apparent. Dickinson inherits through Blake the rape cycle of The Faerie Queene. Blake and Spenser are her allies in helping pagan Coleridge defeat Protestant Wordsworth.

Camille Paglia

Millions of kids are being maimed right now on Ritalin. I would have been given Ritalin. And there would have been no Sexual Personae, no nothing. We are castrating a whole generation of kids.

Camille Paglia

The Orestia shows that society is a defense against nature. Everything intelligible -- institutions, objects, persons, ideas -- is the result of Apollonian clarification, adjudication, and action. Western politics, science, psychology and art are creations of arrogant Apollo. Through every century, winning or losing, western mind has struggled to keep nature at bay. The Orestia's sexist transition from matriarchy to patriarchy records the rebellion every imagination must make against nature. Without that rebellion, we as a species are condemned to regression or stasis. Even rebelling, we cannot get far. But vying with fate is godlike.

Camille Paglia

In Romanticism, unlike the Renaissance, Amazons retain their power. Rousseau wants it both ways. Idolizing women is natural and right, a cosmic law. On the other hand, male recessiveness is blamed on female coercion. Either way, sadomasochistic dominance and submission are inherent in Rousseausism from the start.

Camille Paglia

The Fairie Queene makes cinema out of the west's primary principle: to see is to know; to know is to control. The Spenserian eye cuts, wounds, rapes.

Camille Paglia

A woman simply is, but a man must become. Masculinity is risky and elusive. It is achieved by a revolt from woman, and is confirmed only by other men. Feminist fantasies about the ideal "sensitive” male have failed. Manhood coerced into sensitivity is no manhood at all.

Camille Paglia