John Dos Passos quotes
John Dos Passos was an American novelist, playwright, and artist, closely associated with the Lost Generation. His innovative narrative techniques and the U.S.A. trilogy greatly influenced modern American literature. He explored themes of individuality and society in 20th-century America. Here are 38 of his quotes:
The only excuse for a novelist, aside from the entertainment and vicarious living his books give the people who read them, is as a sort of second-class historian of the age he lives in. The "reality" he missed by writing about imaginary people, he gains by being able to build a reality more nearly out of his own factual experience than a plain historian or biographer can.
John Dos Passos
One of the most extraordinary things about industrial society of the present day is its idiot lack of memory. Tabloids and movies take the place of mental processes and revolts, crimes, despairs pass off in a dribble of vague words and rubber stamp phrases without leaving a scratch on the mind of the driven instalment-paying, subway-packing mass.
John Dos Passos
Before the ferry leaves a horse and wagon comes aboard, a brokendown springwagon loaded with flowers, driven by a little brown man with high cheekbones. Jimmy Herf walks around it; behind the drooping horse with haunches like a hatrack the little warped wagon is unexpectedly merry, stacked with pots of scarlet and pink geraniums, carnations, alyssum, forced roses, blue lobelia. A rich smell of maytime earth comes from it, of wet flowerpots and greenhouses. The driver sits hunched with his hat over his eyes. Jimmy has an impulse to ask him where he is going with all of those flowers, but he stifles it.
John Dos Passos
Pursuit of happiness, unalienable pursuit... right to life liberty and... A black moonless night; Jimmy Herf is walking alone up South Street. Behind the wharfhouses ships raise shadowy skeletons against the night. "By Jesus I admit I'm stumped," he says aloud. All these April nights combing the streets alone a skyscraper has obsessed him, a grooved building jutting up with uncountable bright windows falling onto him out of a scudding sky. Typewriters rain continual nickelplated confetti in his ears.
John Dos Passos
And he walks round blocks and blocks looking for the door of the humming tinsel windowed skyscraper, round blocks and blocks and still no door. Every time he closes his eyes the dream has hold of him, every time he stops arguing audibly with himself in pompous reasonable phrases the dream has hold of him. Young man to save your sanity you've got to do one of two things... Please mister where's the door to the building? Round the block? Just round the block... one of two unalienable alternatives: go away in a dirty soft shirt or stay in a clean Arrow collar. But what's the use of spending your whole life fleeing the City of Destruction? What about your unalienable right, Thirteen Provinces? His mind unreeling phrases, he walks on doggedly. There's nowhere in particular he wants to go. If only I still had faith in words.
John Dos Passos
For something like forty years I've been getting various sorts of narratives off my chest without being able to hit upon a classification for them. There's something dreary to me about the publisher's arbitrary division of every word written for publication into fiction and nonfiction. My writing has a most irritating way of being difficult to classify in either category. At times I would find it hard to tell you whether the stuff is prose or verse. Gradually I've come up with the tag: contemporary chronicle.
John Dos Passos