Caterina Davinio quotes
Now that everything is, or may be, "digital" and could contemplate its membership in an e-category, the final product should be always studied, not only in its appearance, but in its process, structure, in its modes of functioning and of presentation / fruition and also in an historical perspective.
Caterina Davinio
The biosphere is now enriched with an other stratum, mid-way between the material and the spiritual, and that is the web of connections, a "virtual” reality made of communication by means of the new media. On a daily basis, we move around in this space with all the content we are capable of. This physically concretizes the concept that all humans can merge in a single moment, where no one is separated from the others and all become a single entity, which is the web.
Caterina Davinio
A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.
Caterina Davinio
When I speak of language, I do not only mean poetic or verbal language: I am thinking of the language of mathematics, of physics, et cetera. It is a fascinating topic. Language is an interface between us and the world. Beyond language there is nothing but pure mystical contemplation of the universe.
Caterina Davinio
Intelligence is always connective. The biosphere works this way, through continuous contacts, catalysts, neurons which touch and activate other neurons. Today, this all has not only biological and chemical consistency, but a technological and teleinformatics one: it is not just a metaphor, or a "virtual" reality, but a real entity, a kind of emanation of the biosphere.
Caterina Davinio
Making art means not only using languages, but also creating new ones. To do this, new tools are indispensable. Even returning to more traditional languages such as linear poetry or narration, after being enriched by the experience of hypertext, hypermedia and multimedia, allows us to rethink the older forms of expression and transfer the lessons of the new media into even the more traditional modalities of language, such as narrative, for example.
Caterina Davinio
And I go down the stairs again
with the screeching of my worn out
soul
P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell
The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch
and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
...
Caterina Davinio
«She is able to oscillate between classical allusions to the holy books and the works of great poets like Hölderlin, Baudelaire, Borges, Artaud and Celan, and then she comes to terms with the Beat Generation, with Ferlinghetti, Corso, with the philosophy of the existentialists. With immediate acceptances, repulses, with vast ignitions and immense fires, with echoes of jazz and pop music» (Dante Maffia about Fatti deprecabili/Deprecable Facts)
Caterina Davinio
«Nevertheless it is about themes endowed with depth, rather uncomfortable in a culture that often seeks from poetry almost a consolation or at least a reconciliation with the world. Davinio's poetry is instead problematic, not at all conciliatory or reconciled. Caterina develops her themes in a vibrant language, dry and almost essential, taut and antirhetorical» (Gianmario Lucini)
Caterina Davinio