Paul Klee quotes - page 2
Receptively it [the work as human action] is limited by the limitations of the perceiving eye. The limitation of the eye is its inability to see even a small surface equally sharp at all points. The eye must "graze" over the surface, grasping sharply portion after portion, to convey them to the brain which collects and stores the impressions.
Paul Klee
What had already been done for music by the end of the eighteenth century has at last been begun for the pictorial arts. Mathematics and physics furnished the means in the form of rules to be followed and to be broken. In the beginning it is wholesome to be concerned with the functions and to disregard the finished form. Studies in algebra, in geometry, in mechanics characterize teaching directed towards the essential and the functional, in contrast to apparent. One learns to look behind the façade, to grasp the root of things. One learns to recognize the undercurrents, the antecedents of the visible. One learns to dig down, to uncover, to find the cause, to analyze.
Paul Klee
[I] launched a new offensive against the fortress of painting. First, white thinned out in linseed oil as a general base. Second, color the entire surface lightly by applying very large areas of different colors that swim into one other and that must remain free of any effect of chiaroscuro. Third, a drawing, independent of and substituting for the unformulated tonal values. Then, at the end, some bass notes to ward off flabbiness, not too dark, but colored bass notes. This is the style that connects drawing and the realm of color, a saving transfer of my fundamental graphic talent into the domain of painting.
Paul Klee
I have a feeling that sooner or later I shall arrive at something legitimate, only I must begin, not with hypotheses, but with specific instances, no matter how minute. If I then succeed in distinguishing a clear structure, I get more from it than from a lofty imaginary construction. And the typical will automatically follow from a series of examples.
Paul Klee
Spring. All the things an artist must be: poet, explorer of nature, philosopher! And now I have become a bureaucrat as well as by compiling a large, precise catalogue of all my artistic productions ever since my childhood. I have left out only the school drawings, studies of nudes, etc., because they lack creative self-sufficiency.
Paul Klee
Looking back at the end of the year created a little more serious mood than before. To bring children [his son de:Felix Klee] in the world is no trifling matter! Over the entire horizon, bluish, phosphorescent flashes of sheet shining.... In fact, I really do go out into the snow [near Munich] in all seriousness, station myself there, freeze, freeze stiff, but work. I accomplish little in comparison with the abundance around me, but I accomplish a great deal in comparison with the poverty and simplicity of a small bourgeois homestead.
Paul Klee
Everything that used to be foreign to me, at the rational procedures in my profession, I now beging to resort to after all, from necessity, at least as a matter of experiment. Apparently I am becoming perfectly sober and small, perfectly unpoetic and unenthusiastic. I imagine a very small formal motif and try to execute it economically.
Paul Klee
The shaping of form is weak in energy in comparison with the determining of form. The final consequence of both ways of forming is form. From the ways to the end. From activity to the accomplished. From the genuinely living thing to the objective thing. In the beginning the male speciality, the energetic stimulus. Then the fleshly growth of the egg. Or: first the bright flash of lightning, then the raining cloud. When is the spirit at its purest? In the beginning. Here, work that becomes (dual). There, work that is.
Paul Klee
Franz Marc.... is more human, he loves more warmly, is more demonstrative.... I only try to relate myself to God, and if I am in harmony with God, I don't fancy that my brothers are not also in harmony with me; but that is their business... My fire is more like that of the dead or the unborn... Art is like Creation: it holds good on the last days as on the first.
What my art probably lacks, is a kind of passionate humanity. I don't love animals and every sort of creature with an earthly warmth... I tend rather to dissolve into the whole of creation and am then on a footing of brotherliness to my neighbour, to all things earthly. I possess. The earth-idea gives way to the world-idea. My love is distant and religious.
Paul Klee
The naked body is an altogether suitable object. In art classes I have gradually learned something of it from every angle. But now I will no more project some plan of it: I will proceed so that all its essentials, even those hidden by optical perspective, will appear upon the paper. And thus a little uncontested personal property has already been discovered, a style has been created.
Paul Klee
When in Italy [Klee stayed in Italy, in 1901], I learned to understand architectural monuments... Even the dullest will understand that the obvious commensurability of parts, to each other and to the whole, corresponds to the hidden numerical proportions that exist in other artificial and natural organisms. It is clear that these figures are not cold and dead, but full of the breath of life; and the importance of measurements as an aid to study and creation becomes evident.
Paul Klee
Color is primarily Quality. Secondly, it is also Weight, for it has not only color value but also brilliance. Thirdly, it is Measure, for besides Quality and Weight, it has its limits, its area, and its extent, all of which may be measured.Tone value is primarily Weight, but in its extent and its boundaries, it is also Measure.Line, however, is solely Measure.
Paul Klee