John Banville quotes - page 2
I was in Miami, reading at the book fair. My partner on the platform had won the Pulitzer Prize the previous day. At the book signing afterwards, Pulitzer Man had waiting for him a queue of admiring readers that stretched up the spine of Florida, while I had three people - an academic who was writing something on my work, the usual maniac in a raincoat, and a kindly chap who leaned down and said to me in a confidential whisper, "I'm not going to buy your book, but you looked so lonely I felt I had to come and talk to you.”.
John Banville
It's amazing what success will do. I've just started a new book after taking a break of a year and a half since finishing 'The Book of Evidence,' and I'm fascinated to see if I can detect in myself a voice saying, 'Tone that bit down; make that bit easier; give them a few laughs,' which would be absolutely fatal. I don't think it's happening, but you can't tell what's happening beneath the surface.
John Banville
My wife says I had a nervous breakdown during the writing of Mefisto. Maybe I did, but what's a nervous breakdown for a writer? For a writer every day is a nervous breakdown. [...] The book came out in the spring, and I remember I spent that following summer digging my garden - Voltaire would have been proud. I made a wonderful garden. Grew beans, lettuces. I was healing myself from some kind of traumatic process that I don't pretend to understand. All right, let's agree with my wife and call it a nervous breakdown.
John Banville
They filmed it down in Wexford and I visited the set for about half an hour. I don't usually go near the set, because there's nothing for a writer to do there and you're constantly getting in the way. If I give a book to the movies, it's theirs. Writers often whinge about being betrayed by the movies – I have no sympathy for that. If you don't want a movie to be made, then don't sell your book to the movies.
John Banville
[On book reviewing] I will only turn down a book if I know I won't be able to muster enough interest to read the bloody thing. Or if I realize that I despise the author, and that I'm just going to become hysterical in my dispraise. A couple of times in my life I've disobeyed my own rule, and later regretted it. [...] It's a delicate business. All too often, if one writes a favorable notice, it's seen as a product of the old-boy network, and if one dispraises a book, it's seen as envy. Nobody seems able to accept that I review books as a book reviewer, not as a competing novelist. When I review, I'm being as honest as I can. And I'm saying to the reading public - the minuscule segment of the reading public that reads reviews - that this is my judgment.
John Banville
If you look at practically anyone - I mean, I find this more and more - the more you look at people the more you find that they've actually manufactured themselves. People whose names that you know. I meet lots of people in my ordinary life, away from writing, who seem to be authentic, who seem to know where they've come from and who they are, but anyone that I deal with in, if you like, my profession, we all seem to have made ourselves. I think artists are all self-made.
John Banville
When I created Quirke, he was 6ft 6in and blond. But then a woman reader wrote to me and said, 'Why do you keep saying his hair is blond? It's not. It's brown.' I wrote back to her and told her that, of course, she was right. So I darkened his hair and now that he's being played by Gabriel Byrne; with each successive book he gets a bit smaller and smaller.
John Banville
For me, a line has to sing before it does anything else. The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days when I think about how I could be living instead of writing.
John Banville
My books must be an absolute nightmare to translate. I wouldn't do it. I had a couple of them in Japanese some years ago and my wife met a Japanese woman who said that she had read the books. And she asked her what the translations were like. This woman said they were the worst translation she had ever read in her life. She said she didn't recognise the books when she finally read them in English.
John Banville
My present study - a word that always makes me uneasy, I am not sure why - is a small apartment in a huge, anonymous, quadrilateral block in Dublin city centre. My window, the one I do not look out of, gives on to a courtyard where no one ever goes, and where the silence is day-long and almost pastoral. When I first began to come here to work, a dozen years ago, I used to shut my door on entering each morning and put the chain on. The place is clean, or cleanish, and, yes, well lighted. Here I am unassailable. Or so I like to imagine.
John Banville