Pastiche Quotes
Mashups [...] nobody's going to listen to mashups in another ten years. Mashups are novelty music. They're like "The Monster Mash." They have no musical staying power. You're pursuing a phantom there. It's bad music, I mean, it's not bad- it's a pastiche, it's like magazine collage- which can be good for what it is. But to pretend that that's like tremendous creative work- No! It's a tremendous creative power- and it can have a tremendous audience, but it's not tremendously good. And we need a little bit of aesthetic honesty in confronting things like this. Just because it's new, and people with laptops can do it, and get away with it, and find an audience for it, does not make it a real cultural advance. It's an epiphenomenon.
Bruce Sterling
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.
Derek Cianfrance
This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.
Jean Dujardin
Writing a good song is not mimicry, or replication, or pastiche, it is the opposite, it is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one's vulnerability, one's perilousness, one's smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering.
Nick Cave
[...] the very function of the House of the People was [...] to make concrete the social inequality between the dictator's lowly vassals and the pomp and might of His Majesty. The architect of the House had been selected by a competition. There were a lot of interesting and arresting designs, but, to put it rather brusquely, the architect who came up with the most banal, Stalinist pastiche appealed successfully to the Ceausescu's taste. The prizewinner, after the revolution, has disappeared from view because she has been battered by much hostile criticism.
John Sweeney (journalist)
As for predictions of a global culture, they fail to take into account the rootedness of cultures in time and place, and the ways in which identity depends on memory. A truly non-imperial "global culture", timeless, placeless, technical and affectively neutral, must be memory-less and hence identity-less; or fall into a postmodern pastiche of existing national cultures and so disintegrate into its component parts. To date, we cannot discern a serious rival to the nation for the affections and loyalties of most human beings.
Anthony D. Smith