Veronese Quotes
Tell [Père] Tanguy to send me some paints. What I need most are ten tubes of white, two of chrome yellow, one bright red, one brown lac, one ultramarine, five Veronese green, one cobalt j I have on hand only one tube of white ... I expect to begin to paint again from nature, and I need the colors.
Camille Pissarro
P.S. If you happen to see Seurat or if you write to Signac, tell them that I have tried the mixture of cadmium (well recommended by Contet), with red, white and Veronese green. It becomes black in four or five days from the Veronese green. Even blacker than the chrome yellow mixture. Tell this to Contet.
Camille Pissarro
If you make the light dominate too much, the breadth of the planes leads to the absence of half tints, and consequently to discoloration; the opposite abuse is harmful above all in big compositions destined to be seen from a distance, like ceilings, etc. In the latter form of painting, Paul Veronese goes beyond Rubens through the simplicity of his local color and his breadth in handling the light... Veronese had greatly to strengthen his local color in order that it should not appear discolored when immunized by the very broad light he threw on it.
Eugène Delacroix
Shall I tell you what I have seen in Venice? Right – here goes. Take a boat along the Seine to the Quai des Orfevres, or opposite the Tuileries [Paris] and you will see Venice. For the Museums, go to the Louvre, For Veronese, go to the Louvre,- but not for Tiepolo, whom I didn't know; only it is a bit dear at the price. No – that isn't true; it is very, very beautiful, when the weather is fine. The lagoon and San Marco – splendid; the Doges' palace, splendid. As for the rest, I'd rather have Saint German l'Auxerrois.
Pierre-Auguste Renoir
Cesalpino, a celebrated botanist, conceived that fossil shells had been left on the land by the sea, and had concreted into stone during the consolidation the soil; and in the following year (1597), Simeone Majoli went still farther, and coinciding for the most part with views of Cesalpino, suggested that the shells and matter of the Veronese, and other districts, might have cast up, upon the land, by volcanic explosions, like those gave rise, in 1538, to Monte Nuovo, near Puzzuoli.- This hint was the first imperfect attempt to connect the position fossil shells with the agency of volcanoes, a system more fully developed by Hooke, [Antonio] Lazzaro Moro, Hutton, and other writers. Two years afterwards, Imperati advocated the animal origin of fossilized shells, yet admitted that stones could vegetate by force of 'an internal principle,' and, as evidence of this, he referred to the teeth of fish, and spines of echini found petrified.
Charles Lyell
The new masters paint a subject as they please,
And Veronese is prosecuted by the Inquisition
For the dogs playing at the feet of Christ,
The earth is a planet among galaxies.
Later Christ disappears, the dogs disappear: in abstract
Understanding, without adoration, the last master puts
Colors on canvas, a picture of the universe
In which a bright spot somewhere in the corner
Is the small radioactive planet men called Earth.
Randall Jarrell
Only the great distance that separates Paris from my native town prevented me from going back... It was the Louvre that put end to all these hesitations. When I walked around the circular Veronese room and the rooms that the works of Manet, Delacroix and Courbet are in, I desired nothing more. In my imagination Russia [where Chagall was born] took the form of a basket suspended from a parachute. The deflated pear of the balloon was hanging down, growing cold and descending slowly in the course of the years. This was how Russian art appeared to me, or something of the sort... It was as if Russian art had been fatally condemned to remain in the wake of the West.
Marc Chagall