Self-portrait Quotes
At stake was not only a serious and viable artistic career as a woman, but the development of a subjectivity that was being defined through the self-portrait. conscious of being both muse and maker, Sher-Gil took on the position of artist and object with a double consciousness of being both.
Amrita Sher-Gil
After four centuries, Montaigne's curious genius still has that effect on his readers and, time and again, one finds in his self-portrait one's own most brilliant aperçus (the ones that somehow we forgot to write down and so forgot) restored to us in his essays-attempts-to assay-value-himself in his own time as well as, if he was on the subject, all time, if there is such a thing.
Gore Vidal
We [Frida and Diego] moved from the house on Reforma [street] to Coyoacán, and that had an enormous influence on me. How we painted the house and the Mexican furniture, all that influenced my painting a lot. While still on Reforma, I painted a self-portrait [Self-portrait 'Time Flies', 1929] that is owned by Morillo Safa. Once in Coyoacán I began to make paintings with backgrounds and Mexican things in them. I painted the portraits of Hale's sister.. ..and the one of Diego, which I did not finish [this painting is lost and was never documented before]. Those three paintings, who knows where they are. Mirillo Safa has the third self-portrait [her Self-portrait of 1930], showing me bald and sitting in a cane chair. (1950)
Frida Kahlo
I returned to school [after the bus accident], but I felt very sore and had little strength. I took my paintings to Diego [Rivera], and he liked them a lot, most of all the self-portrait. But of the rest he told me that I was influenced by Doctor Atl [a Mexican painter and revolutionary] and by Montenegro, and that I should try to paint whatever I wanted without being influenced by anyone else. That impressed me a lot, and I began to paint that I believed in. Then the friendship and almost courtship with Diego began. I would go to see him paint in the afternoon, and afterwards he would take me home by bus or in a Fordcito – a little Ford that he had – and he would kiss me. (1950)
Frida Kahlo
You use things; the idea is, of course, to eliminate things [in making a picture]. And just as fifteen or eighteen years ago [when Guston made whole figurative series of children's pictures: 'all sort of props and so on'] I stretched out to get that, - put it in and took it out - to get that look in that's kid's eye and the way his mouth was open or wasn't - I mean a very particular kind of look - I'd do the same now. In other words, I can't find any freedom in abstract painting [but Guston did abstract painting in 1960 - till in 1967 he moved to figuration]. I'am just as stuck with locations, a few areas of colour in relation to some kind of totality that I want, as I was before. And so the problem of figuration is somehow irrelevant to me. I think some of the best painting done in New York today is figuration, but it's not recognised as such... Well I think of my pictures as a kind of figuration... I think every good painter here in New York really paints a self-portrait..
Phillip Guston
Now, Alithia - her dream was to go to art school in Paris and one day share her art with the world. Ryan and Jessica were eager to share Alithia's art with us, and said if we could share it, then somehow maybe that would make Alithia smile in heaven. They told us that showing someone else Alithia's art would in some way keep her alive.
Now, this particular drawing is a - is a self-portrait of Alithia drawing, with her friend in heaven looking down on her drawing the very same picture. Her mother said, of this drawing - she said, "You know, we never really talked to her about heaven before, but somehow she knew."
Alithia was 10 years old.
Her father, Ryan - this man was steady. He was uncommonly together and calm. When a frazzled friend of his came up and said, "How are you so calm? I'd be going crazy," Ryan told him - he said, "No, you wouldn't. No, you wouldn't. You'd be strong for your wife and kids, because if they see you go crazy, that will not help them."
Matthew McConaughey