Paolo Quotes

He [Paolo Sarpi] was one of the two foremost Italian statesmen since the Middle Ages, the other being Cavour. (Andrew Dickson White)

Diet of bankrupts... To-day, Messer Paolo is to visit me, and to-morrow there will be the cardinal; and thus they think to befool me, at their pleasure. But I, on my side, am only dallying with them. I listen to all they have to say and bide my own time.

Cesare Borgia

I learned a lot with Paolo Maldini who helped me with defensive positioning and the importance of respecting tactical schemes.

Thiago Silva

Nearly conscious in someone like Michelangelo, or Paolo Uccello, quite intuitive in painters such as Ingres, or Corot, it works on the basis of numbers which belong to the painting itself, not to whatever it represents.

Jean Metzinger

People didn't fly the Atlantic any more if they could help it, except from bravado. Even if your plane wasn't sabotaged or hijacked, it was certain to be behind schedule. Not that there was much to be said for ocean travel either, since the sinking of the Paolo Rizzi last summer and the drowning of thirteen hundred passengers in a sea made foul by a hundred and eighty thousand tons of oil from the tanker she'd collided with. Moral, definitely: stay home.

John Brunner

It does not matter whether I am in Hong Kong or Sao Paolo - people always want to talk about toxic bosses and what to do about them.

Srikumar Rao

To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz's performance, he also was impressed by the film's startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world's a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.

Damian Pettigrew

Hail! great incendiary poets, you Futurist friends!.. Hail! Paolo Buzzi, Federico de Maria, Enrico Cavacchioli, Corrado Govoni, Libero Altomare! Let's flee the city of Paralysis, devastate Gout, and lay the great military Railroad along the flanks of Gorisankar, summit of the world! We left the city with firm and nimble strides, as if dancing in our desire to find everywhere obstacles to overcome. Around us, and within our hearts, the immense intoxication of the old European sun as it swayed between wine-colored clouds... That sun struck us in the face with its great torch of flaming purple, then flared out, vomiting itself into the infinite.

Filippo Tommaso Marinetti

But I prefer to think of it as a quantum Hugo and that Paolo Bacigalupi and I oscillate between between Hugo particle and wave form, this year. So it's properly science-fictional.

China Miéville

Paolo Maldini and John Terry are two of the toughest men I have met on the field.

Ronaldinho

I'm both a poet and one of the "everybodies" of my country. I live with manipulated fear, ignorance, cultural confusion and social antagonism huddling together on the faultline of an empire. I hope never to idealise poetry - it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong. There is room, indeed necessity, for both Neruda and César Valléjo, for Pier Paolo Pasolini and Alfonsina Storni, for both Ezra Pound and Nelly Sachs. Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced. (Adrienne Rich)

Americans are so individualistic, they do not realize their individualism is a communally derived value. The American I is deconstructed for me by Paolo, an architect who was raised in Bologna: "You Americans are not truly individualistic, you merely are lonely. In order to be individualistic, one must have a strong sense of oneself within a group.”.

Richard Rodriguez

Americans are so individualistic, they do not realize their individualism is a communally derived value. The American I is deconstructed for me by Paolo, an architect who was raised in Bologna: "You Americans are not truly individualistic, you merely are lonely. In order to be individualistic, one must have a strong sense of oneself within a group." (The "we" is a precondition for saying "I.") Americans spend all their lives looking for a community: a chatroom, a church, a support group, a fetish magazine, a book club, a class action suit... illusions become real when we think they are real and act accordingly. Because Americans thought themselves free of plural pronouns, they began to act as free agents, thus to recreate history. Individuals drifted away from tribe or color or 'hood or hometown or card of explanation, where everyone knew who they were... Americans thus extended the American community by acting so individualistically, so anonymously.

Richard Rodriguez