Elaine Quotes
(On the prospect of Thatcher's death) Be serious - this is just a fantasy, because if she were killed, would it actually make any difference? Would things get any better? Course they wouldn't; don't kid yourself. They'd get worse, because she would become a martyr – this monetarist martyr - a cult figure, like Eva Peron. Can you imagine the televised funeral? There she'd be, laid out in a glass coffin, in the blue gear, the hair-do and all the rest of it. She'd be laying there just really life-like - just like she was in life - a bit warmer. It would be on the telly. You thought Winston Churchill was bad; you can imagine what this would be like. And then, of course, it wouldn't stop at that. There would be films - The Night Brighton Rocked. There'd be musicals. Tim Rice would be churning out the musicals about her life - Magita. There'd be Elaine Page belting out the big numbers: 'Don't Cry for Me, Barnet Finchley.
Linda Smith
Well, first-that term, 'women artists.' I was talking to Joan Mitchell at a party about 10 years ago when a man came up to us and said, 'What do you women artists think...' Joan grabbed my arm and said, 'Elaine, let's get the hell out of here.' That was my first response to Linda Nochlin's article ['Why Have There Been No Great Women Artists?']. I was curious about how a man would react. Alex Katz thought it would be a cop-out to answer the piece. Sherman thought it would be a cop-out not to answer it. John Cage thought the question 'divisive and an over-simplification.
Elaine de Kooning
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
John Lahr
And I was painting and changing and developing and going through [c. 1950-52] that bridge from early Kandinsky and Gorky to my own [painting] thing. And just soaking up [Willem] de Kooning and [Jackson] Pollock... So I had the place to myself. And while Bill [= Willem] and Elaine [de Kooning] and Charlie [Egan] and such would maybe come to my studio, there was no thought,.... of my going in with those four or five young ones.
Helen Frankenthaler