Dachau Quotes
April 1945. My unit was in Germany, and we were the ones who liberated Dachau. Thirty thousands breathing skeletons. You've seen the pictures, but the pictures don't tell you what it was like. You have to go there and smell it for yourself; you have to be there and touch it with your own hands. Human beings did it to human beings, and they did it with a clear conscience. That was the end of mankind [...] I'm sure you've read the stories about how some of them couldn't stop eating. The starved ones. They'd thought about food for so long, they couldn't help it. They ate until their stomachs burst, and they died. Hundreds of them.
Paul Auster
I was in Dachau and Belsen. I saw chambers where hundreds of Jews were put to death every day. ... I saw the gallows in Belsen where Jews were hanged each Jewish holy day, while the rest were paraded to witness the ghastly punishments of men who had perhaps come a few minutes late to their daily grind. ... It is beyond mortal power to bring back to life six million who were burned, asphyxiated and buried alive by the Nazis. But our six million brothers and sisters who went to their deaths have bequeathed us a sacred injunction: to prevent such a disaster overtaking the Jewish peoples in the future and to do so by the Jewish people being an independent people in its own land, capable of resisting any foe or enemy by its own strength.
David Ben-Gurion
I have just come back from the internment camps of Europe where I looked on the survivors of the Nazi charnel houses. I was in Dachau and Belsen. I saw chambers where hundreds of Jews were throttled every day. They were brought naked, as if to bathe, and the Nazis would peer through peepholes and watch them writhing in their death agonies.
David Ben-Gurion
But we had no contact with the painters of the Dachau and Worpswede School [where a. o. Paula Modersohn-Becker was settled as starting woman artist]. It was only much later, for instance, that we discovered that Hoelzel had already been experimenting with non-objective compositions as early as 1908. We [the Blaue Reiter artists] were only a group of friends who shared a common passion for painting as a form of self-expression.
Gabriele Munter