Menuhin Quotes
Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.
Hariprasad Chaurasia
Without...Yehudi Menuhin, the West may not have found Indian classical music and decades later...thanks to Menuhin's chance meeting and later lasting friendship with the master sitarist Ravi Shankar, the Wets witnessed the sublimity that the merging of the Western and Indian classical music could produce.
Ravi Shankar
So back to school he went. To nail down the way his fingers moved, Menuhin learned every scale imaginable. He learned to play them at every speed. He searched the library for books on violin technique. He went to the best teachers and asked them to explain things the books didn't say. He asked gymnasts and dancers for advice on the most precise way to move his bowing arm. To understand how to control his bowing better, he learned the names of each muscle in the back, upper arms, forearms and fingers. He studied drawings made by Leonardo da Vinci, so he'd know what hands looked like on the inside. Then Menuhin broke his performance down even more. Studying India's exercise system of yoga, he started to understand his breathing as he played.
Yehudi Menuhin
Despite the adulation that followed him wherever he went, Menuhin's playing began to lose some of its technical brilliance in the 1950s and entered a slow decline. But Menuhin, who often appeared transfixed when he performed, readily made up for what a Times critic described as "thick-toned, raspy playing" with an increased spiritual intensity in his interpretation.
Yehudi Menuhin