Rotterdam Quotes
It's very difficult to make them understand the importance of a Guruji. In India, it's kind of more than gods and goddesses. We revere our Gurujis more than our parents, more than our family members, more than gods and goddesses. But they'll never understand. Never understand who a Guru is. There are so many differences. But when I am teaching at Rotterdam in Netherlands (He heads the World Music Department at the Rotterdam Music Conservatory), I tell each and every student-"keep your shoe out, you have to sit down. If you want to learn Indian music, you have to treat me- not like your teacher, not like your Guru, you treat me as a friend and we share our willing.
Hariprasad Chaurasia
What is the shortest way to travel from Rotterdam to Groningen, in general: from given city to given city. It is the algorithm for the shortest path, which I designed in about twenty minutes. One morning I was shopping in Amsterdam with my young fiancée, and tired, we sat down on the café terrace to drink a cup of coffee and I was just thinking about whether I could do this, and I then designed the algorithm for the shortest path. As I said, it was a twenty-minute invention. In fact, it was published in '59, three years late. The publication is still readable, it is, in fact, quite nice. One of the reasons that it is so nice was that I designed it without pencil and paper. I learned later that one of the advantages of designing without pencil and paper is that you are almost forced to avoid all avoidable complexities. Eventually that algorithm became, to my great amazement, one of the cornerstones of my fame.
Edsger W. Dijkstra
You can't sell anything to the museum nowadays. If one presents something now, one is partly rejected because they have no money in cash. Yes Friend, that's how things are going... It's going very bad here with the old arts in The Hague., I hardly hear of anything. How are things going in Rotterdam? I believe that also there is not much moving.
Andreas Schelfhout
I was in Rotterdam, but the exhibition there was horrible. Le Fauconnier has nothing to tell anymore. He has a dirty color now and has become a real academic. Mondrian is completely frozen, no poetry at all anymore. It's terrible that these people can not reach further with great ideals. To my taste Alma paints far too much naturalistic. A big difference, these three, compared to [Franz] Marc, Kandinsky, Filla etc..
Jacoba van Heemskerck
I repainted the only unsold picture that was [exhibited] in Rotterdam last year. It seems to me that it looks quite pleasing and good now... I want you to ask him [the client] seven hundred guilders.... for six hundred as lowest price I would be willing to sell it and if you think - knowing him - it would be better to ask that price at once, so do it.
Willem Roelofs
Take care for purity in the paint and not so stinky thick of grease, thin, thin, thin! And just on the light [parts in the painting] here and there a small push of thick [paint].... thick house-interiors are unpleasant - long drawing before you start and arrange pleasantly together all things before you start to paint - if the money does not bother you, it is always useful to visit Rott. [Rotterdam].
Jozef Israëls
![It certainly will please you to read that after my small painting ['First Love', c. 1856] what you have seen in Rotterdam, a large lithography is being made now by Lord Mouilleron, France's first lithographer... It becomes very beautiful. (translation from original Dutch text: Fons Heijnsbroek). (Jozef Israëls)](https://cdn.quotesdtb.com/img/quotes_images_webp/91/jozef-isra-ls-beautiful-952191.webp)
In October 1945 I returned from America, where I had stayed during the war. I arrived in Le Havre, full of ruins, a carcass of a city. It took one night to reach Paris on a train with no windows. That night I got the idea for the monument. I sketched it on paper and forgot about it, until I visited Rotterdam for the first time in 1947. I saw a city without a heart. I saw a crater in the body of a city. And I remembered that night, the sketches. I made a small terracotta model and sent it to an exhibition of French art in Germany.
Ossip Zadkine
The image of the city and the obliterated streets of Rotterdam haunted me. When I returned to Paris, I made a draft model for a statue in clay which attempted to express the combination of confusion and horror.... to stimulate emotion in the onlooker, to exude something which captivates the spectator, which opens up to them an unsuspected pathway in their own soul.
Ossip Zadkine
My huge monument to the bombing of Rotterdam [in 1940, by the German aircraft], for instance, was the third and final version of this figure. Once the model had been accepted in principle and the scale agreed on, I began working on a new version of it, conceiving it to a great extent in terms of the effects of the changes of lighting in which such a monument would been seen in the open air.
Ossip Zadkine
The Nazis entered this war under the rather childish delusion that they were going to bomb everyone else, and nobody was going to bomb them. At Rotterdam, London, Warsaw, and half a hundred other places, they put their rather naive theory into operation. They sowed the wind, and now they are going to reap the whirlwind.
Arthur Travers Harris