Curving Quotes
Who shall call me ungentle, unfair,
I long'd so heartily then and there
To give him the grasp of fellowship;
But while I past he was humming an air,
Stopt, and then with a riding whip,
Leisurely tapping a glossy boot,
And curving a contumelious lip,
Gorgonised me from head to foot
With a stony British stare.
Alfred, Lord Tennyson
Blizzard was of the fine old school of butlers. His appearance suggested that for fifteen years he had not let a day pass without its pint of port. He radiated port and pop-eyed dignity. He had splay feet and three chins, and when he walked his curving waistcoat preceded him like the advance guard of some royal procession.
P. G. Wodehouse
Since we all breathe, all the time, it is amazing what happens when someone else directs you how and when to breathe. And how vividly someone with no imagination whatsoever can see what he's told is right there, complete with banister and rubber runners, curving down and rightward into a darkness that recedes before you.
David Foster Wallace
the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..
Hendrik Werkman
Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.
Amanda Hearst
The Land is neither of the Dark nor the Light, nor ever was. Its enchantment was of a separate kind, the magic of the mind and the hand and the eye, that owes no allegiance because it is neither good nor bad. It has no more to do with the behaviour of men, or the great absolutes of the Light and the Dark, than does the blossom of a rose or the curving leap of a fish.
Susan Cooper
So I had carved one face with hollows curving in-out, in-out, very simple really. I set the timber upright and Frank Stella came in and came over and looked at the chiseling and said it looked good. He turned around to the back of the piece which was uncut – the backside of the timber – and he said, you know that's sculpture too. I supposed what he meant to say was, that cutting was a good idea and the idea of not cutting was good too. But you know, I thought to myself, yes the uncut side is really much better than the cut side. The form of the timber was by no way improved by my cutting into it. From that time, I began to think that the next timbers I get I'm not going to cut. I'm going to combine the timbers; I'm going to use them as cuts in space. I began to look for what I call 'particles.
Carl Andre