Stein Quotes
Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality.
Gertrude Stein
Ben Stein: What do think is the possibility that intelligent design might turn out to be the answer to some issues in genetics, or in evolution?
Richard Dawkins: Well, it could come about in the following way: it could be that at some earlier time, somewhere in the universe, a civilization evolved by probably some kind of Darwinian means to a very, very high level of technology, and designed a form of life that they seeded onto, perhaps, this planet. Now that is a possibility, and an intriguing possibility. And I suppose it's possible that you might find evidence for that if you look at the details of our chemistry, molecular biology, you might find a signature of some sort of designer, and that designer could well be a higher intelligence from elsewhere in the universe. But that higher intelligence would itself have had to have come about by some explicable, or ultimately explicable, process. It couldn't have just jumped into existence spontaneously. That's the point.
Richard Dawkins
Everyone wants to understand painting. Why don't they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still life!!
Pablo Picasso
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
Jerry Saltz
It is a rarity of the first order when the dean of an architectural college takes it upon himself to build houses comprised of woven split bamboo placed between two layers of treated clay. These readily available materials were artfully used by Professor Stein in his creation of two demonstration low-cost homes.
Ken Kern
Seymour Stein: "I was in the hospital, I had her come see me in the hospital, we talked a deal in the hospital and we did the deal in the hospital. Within days, even before I got out of the hospital, she was starting to record what became her first single, Everybody, and we were off and running. I saw her staunch determination and I knew she would work as hard as I did and much harder, in fact. And that's what you need in an artist. She worked harder than anybody. I just saw her perform in Berlin, and she still works harder than anybody."
Madonna (entertainer)