Heyday Quotes
Hostility towards Microsoft is not difficult to find on the Net, and it blends two strains: resentful people who feel Microsoft is too powerful, and disdainful people who think it's tacky. This is all strongly reminiscent of the heyday of Communism and Socialism, when the bourgeoisie were hated from both ends: by the proles, because they had all the money, and by the intelligentsia, because of their tendency to spend it on lawn ornaments. Microsoft is the very embodiment of modern high-tech prosperity - it is, in a word, bourgeois - and so it attracts all of the same gripes.
Neal Stephenson
This was the heyday of the movies; it was hard to keep a level head and one's sense of values. MGM made over-worked, spoiled idols out of Judy Garland, Mickey Rooney, and Elizabeth Taylor; it wasn't the kids' fault, nor the studio's, it was the System. I too was on the spoiling list for a while, but I didn't go along with it.
Lucille Ball
The human eye loves to rest upon wide expanses of pure colour: the moors in the purple heyday of heather, miles of green downland, and the sea when it lies calm and blue and boundless, all delight it; but to some none of these, lovely though they all are, can give the same satisfaction of spirit as acres upon acres of golden corn. There is both beauty and bread and the seeds of bread for future generations.
Flora Thompson
In the 1970s and early '80s, Shanghai was quiet, cautious, a ghost of a once-great city - and yet physically, little was changed from its glittering heyday. When visiting, I enjoyed reading books on local history and used my time off to scope out the former haunts of gangsters and jazzmen.
Nicole Mones
In their heyday, the Pet Shop Boys were the Interpol of the Eighties, dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now, not retro-worshipped in the manner of Depeche Mode, New Order, or The Cure, but you can hear the reason why - these guys are too sad.
Rob Sheffield
The old form of trade union, which was born in the nineteenth century and aimed primarily at negotiating wages for a specific trase is no longer sufficient. First of all, as we have been argueing, the old trade unions are not able to represent the unemployed, the poor, or even the mobile and flexible post-Fordist workers with short term contracts, all of whom participate actively in social production and increase social wealth. Second, the old unions are divided according to the various products and tasks defined in the heyday of industrial production - a miners' union, a pipefitters' union, a machinists' union and so forth. Today, insofar as the conditions and the relations of labor are becoming common, these traditional divisions (or even newly defined divisions) no longer make sense and serve only as an obstacle. Finally the old unions have become purely economic, not political, organization.
Antonio Negri
Today no one who wishes to clean even a minimal regard for reason or evidence can espouse racist ideology as it was in its heyday, a system as comprehensive as Marxism and to some clearly equally as satisfying. However, thanks to Jensen and Eysenck and Shockley, the racist can cling to the periphery of his ideology; for example, he can provide a reasoned defence of his position on certain issues such as immigration and foreign policy. I do not wish to minimize the ground he has lost: the retreat from world history to little more than immigration quotas is a great defeat for the racist and a great source of satisfaction for all of his opponents. I am quite convinced that the refutation of racism in the light of reason is almost complete (the effort to eradicate it as a social force is a different matter and may never be fully accomplished). However, the last stand of the racist is not without importance, something I will attempt to demonstrate by giving a racist ideologue his say.
James Robert Flynn
Rock needs theater, rock is theater. We just go through different eras of guilty admission about this. Having risen with The Dresden Dolls in the heyday of The Strokes and The White Stripes, everyone was looking at us as completely misfit theater dorks. But it's really encouraging to see a more theater-dork wave of bands like The Scissor Sisters, Antony & The Johnsons, CocoRosie, Patrick Wolf and even Arcade Fire and Decembrists becoming popular. The dress-up freaks are coming back, and it's wonderful to watch.
Amanda Palmer