Demos Quotes
On the subject of dedication to a craft, in addition talent, it was, and especially the singing, were so original, so powerful, and so accomplished, that the tragedy of his loss, after making only the one record (though a flood of demos and live recordings was released in his wake), seemed ever more poignant. It was clear to me that Jeff Buckley had been one of the few Great Ones, a one-in-a-billion talent, a true voice of his generation, and at thirty, he had hardly begun. Whatever is left behind in the passing of a rare talent, so much is always lost.
Jeff Buckley
I met Lindsey in high school in San Francisco. We had gone to some party and he was sitting in the middle of this gorgeous living room playing a song. I walked over and stood next to him, and the song was "California Dreaming," and I just started singing with him. And so I just threw in my Michelle Phillips harmony, and he was so beautiful. And then I didn't really see him again until two years later, when he called me and asked me if I wanted to be in his rock 'n' roll band, which I didn't even know existed. And within two or three months we were opening for Jimi Hendrix, Janis Joplin, all the San Francisco bands. Two years later, we packed up and moved to Los Angeles with about 12 demos.
Stevie Nicks
I programmed all the drums and synths, while he played all the guitars. The initial plan was just to demo his songs because he was out of his UA deal, so we pumped it to people like Island and Virgin and they loved it. It was signed to Island, but Simon Draper of Virgin heard it and called me to talk about their band, the Human League. They'd done demos of The Sound of the Crowd and Love Action in a Sheffield studio, but Simon didn't think they were getting the punch they needed. He loved the drums on Homosapien and asked me to do a track. So the band turned up at Genetic with their multi-track for The Sound of the Crowd. Simon had conned them and told them that I'd mix it! I said, 'We're going to start again and do it better'. There were a few grumbles, but by the time we'd finished, they were really pleased.
Martin Rushent
Emilio and I like projects to breathe and grow. We started with a concept -- write songs, make demos, then let the guest stars listen to them and then afffect the writing process. For Jose Feliciano, I had written a chorus and a bit of a melody. He started playing the chorus and ad-libbing. I went, "This is the [stuff]! Forget my melody!" Carlos Santana worked just the other way. He wanted me to record a plished take singing first, so his playing could recreate my emotion. I got goose bumps [writing "90 Millas"]. Like in "Esperando," which is addressed to Cubans on the island. Those of us in America, we're like the bogeyman, but I wanted Cubans at home to know: Whatever happened doesn't matter. The future is for us to heal. Adn also: because we're here, we latched onto any part of our culture. Yes and no [this is a political record]. Politics is life, so yes. but it's not specific. Saying that 90 miles haven't divided us sends a message about freedom for Cuba -- and for everyone.
Gloria Estefan
We might perhaps be more tolerant of rulers turning preachers if they were moral giants. But what citizen looks at the government today thinking how wise and virtuous it is? Public respect for politicians has long been declining, even as the population at large has been seduced into responding to each new problem by demanding that the government should act. That we should be constantly demanding that an institution we rather despise should solve large problems argues a notable lack of logic in the demos. The statesmen of times past have been replaced by a set of barely competent social workers eager to help 'ordinary people' solve daily problems in their lives. This strange aspiration is a very large change in public life. The electorates of earlier times would have responded with derision to politicians seeking power in order to solve our problems. Today, the demos votes for them.
Kenneth Minogue