Goebbels Quotes
[R]adical Islam is heir, above all, to Nazism. The destruction of the World Trade Center was meant not only to wreak terror. Like the smashing of the Bamiyan Buddhas, it was meant to obliterate greatness and beauty, elegance and grace. These artifacts represented civilization embodied in stone or steel. They had to be destroyed. This worship of death and destruction is a nihilism of a ferocity unlike any since the Nazis burned books, then art, then whole peoples. Goebbels would have marvelled at the recruitment tape for al Qaeda, a two-hour orgy of blood and death: image after image of brutalized Muslims shown in various poses of victimization, followed by glorious images of desecration of the infidel-mutilated American soldiers in Somalia, the destruction of the USS Cole, mangled bodies at the American embassies in Kenya and Tanzania.
Charles Krauthammer
Goebbels...now made an applauded entrance. He was no man to improvise a word or two of greeting; he had typewritten sheets.... He spoke of the cinema as the popular voice of the state...those products, themselves a means of cleansing the world film market through their purity and excellence of the regrettable decadent ordures excreted by international Jewry....
Anthony Burgess
Though Rather is congenitally bad – an admirable heir to Walter Cronkite and his special form of treasonous broadcasting – more insidious are certain chirpy girl-next-door morning TV hosts who characterize the beliefs of ordinary middle-class Americans in terms that would make Goebbels blush.
Ann Coulter
For let us keep one fact clearly in mind: the German language was not innocent of the horrors of Nazism. It is not merely that a Hitler, a Goebbels, and a Himmler happened to speak German. Nazism found in the language precisely what it needed to give voice to its savagery. Hitler heard inside his native tongue the latent hysteria, the confusion, the quality of hypnotic trance.
George Steiner
There remains the problem of Goebbels' reputation. He wore the title of Big Liar (bestowed by Anglo-Saxon propaganda) and yet he never stopped battling for propaganda to be as accurate as possible. He preferred being cynical and brutal to being caught in a lie. He used to say: "Everybody must know what the situation is." He was always the first to announce disastrous events or difficult situations, without hiding anything. The result was a general belief between 1939 and 1942 that German communiqués not only were more concise, clearer and less cluttered, but were more truthful than Allied communiqués (American and neutral opinion) - and, furthermore, that the Germans published all the news two or three days before the Allies. All this is so true that pinning the title of Big Liar on Goebbels must be considered quite a propaganda success.
Jacques Ellul
England is not the jewelled isle of Shakespeare's much-quoted message, nor is it the inferno depicted by Dr Goebbels. More than either it resembles a family, a rather stuffy Victorian family, with not many black sheep in it but with all its cupboards bursting with skeletons. It has rich relations who have to be kow-towed to and poor relations who are horribly sat upon, and there is a deep conspiracy of silence about the source of the family income. It is a family in which the young are generally thwarted and most of the power is in the hands of irresponsible uncles and bedridden aunts. Still, it is a family. It has its private language and its common memories, and at the approach of an enemy it closes its ranks. A family with the wrong members in control - that, perhaps, is as near as one can come to describing England in a phrase.
George Orwell
They say something about being safe in the bunker, and how it's almost fun to hear the explosions when they know the bangs can't hurt them. Suddenly there is the sound of a shot, so loud, so close that we all fall silent. It echoes on through all the rooms. "That was a direct hit," cried Helmut [Goebbels] with no idea how right he is. The Fuhrer is dead now.
Traudl Junge
Hearing has its own memory. It registers the dog whose sudden barking startled me as a child. The folk songs my nanny used to sing. The dadaism of a cabaret song from Berlin: ‘I tear out one of my eyelashes and stab you dead with it,' innocently sung by my mother. Hitler conjuring up the Almighty. The crowing voice of little Goebbels. Alarm sirens, the roar of aircraft, the blast of bombs. Ljuba Welitsch being Salome. The sonorities of Edwin Fischer's piano playing. María Casares as Lady Macbeth in Avignon. Ralph Kirkpatrick's two Scarlatti recitals. Gré Brouwenstijn as Leonore in Fidelio. The epiphany of Ligeti's Aventures et Nouvelles Aventures. The magic application of noise in Peter Brook's A Midsummer Night's Dream. All sorts of laughter.
Alfred Brendel
If you believe in freedom of speech, you believe in freedom of speech for views you don't like. Goebbels was in favor of freedom of speech for views he liked. So was Stalin. If you're in favor of freedom of speech, that means you're in favor of freedom of speech precisely for views you despise.
Noam Chomsky
1945
As the Allies rummages through documents in the wreckage of defeated Germany, evidence of the influence of the "Protocols” was found by American Intelligence.
Allied soldier: Hey, Sarge whatcha got there?
Sarge: Wow!! Joseph Goebbels' private diaries! Look at this...volume 13...here's a translation.
I have devoted exhaustive study to the Protocols of Zion. In the past objection was always made that they were not suited to present day propaganda. In reading them now I find that we can use them very well. The Protocols of Zion are as modern today as they were when published the first time! At noon I mentioned this to the Fuhrer. He believed the protocols to be absolutely genuine!
Will Eisner
By 1939 the national debt had reached 37.4 billion marks. The reemployment of millions of jobless and the rearmament of German military forces had been financed by borrowing gigantic sums of money. Even Goebbels, who otherwise mocked the government's financial experts as narrow-minded misers, expressed concern in his diary about the exploding deficit.
Gotz Aly
Röhm coined the slogan that there must be ‘second revolution', this time, not against the Left, but against the Right; in his diary Goebbels agreed with him. On April 18 he maintained that this second revolution was being discussed ‘everywhere among the people'; in reality, he said, this only meant that first one was not yet ended. ‘Now we shall soon have to settle with the reaction. The revolution must nowhere call a halt.
Konrad Heiden
Goebbels is and always has been surrounded by mistrust and deep dissimulation. It was this mistrust that accounted for his being set down as a Bolshevist in disguise, though he cares no more for Socialism and Communism than for patriotism and nationalism. Germany? The testing ground for revolution. Socialism? Nothing but a means to an end a means to revolution, but never the goal of one.
Hermann Rauschning
Long before the party's arrival in power Goebbels had written the famous article in which he pointed out the kinship between National Socialism and Bolshevism. At times he spoke enthusiastically in favor of a peaceful permeation of Bolshevism by Nazism and a German-Russian symbiosis. But to his confidants he always showed how clearly he realized that Communism is at all times simply a path leading to a new system of private property and private capital, and that the classless society is bound to lead to a new class formation with a new grading of incomes.
Hermann Rauschning
One channel for transmitting Communist models to the Nazi movement were right-wing intellectuals with a left-wing bent close to Hitler, known as the ‘National Bolsheviks.' Their chief theoreticians, Joseph Goebbels and Otto Strasser, greatly impressed by Bolshevik successes in Russia, wanted Germany to help Soviet Russia build up her economy in return for her political support against France and England.
Richard Pipes
[Hynkel addressing the crowds, referring to his colleagues: clearly modelled upon Göring and Goebbels]
Hynkel: Herring shouldn smelten fine from Garbitsch, und Garbitsch shouldn smelten fine from Herring. Herring und Garbitsch... [He clasps his hands together]
Translator: His excellency has just referred to the struggles of his early days shared by his two loyal comrades.
Charlie Chaplin