Reverie Quotes
It seems to me that this last piece, The Poet Speaks, which is the title Schumann gave to this immortal work, should be a transition into a kind of intimate reverie. It is not just about making a beautiful sound and expressive phrasing. You also need to create a sense of dreaming. The truth is, you need to dream this piece, rather than play it.
Will you allow me to take your place? These two phrases are not connected. They are two different elements... of the same musical state. Here, like a question... And here again, another, tenderly asking the way. And from this moment, you should convey the music not just through the notes but through some kind of inspiration drawn from its immortal spirit. Now the sonorities should fade away...grow fainter and dimmer...and you are left simply in the presence of a reminiscent dream.
Alfred Cortot
If you think, from this prelude, that anything like a romance is preparing for you, reader, you never were more mistaken. Do you anticipate sentiment, and poetry, and reverie? Do you expect passion, and stimulus, and melodrama? Calm your expectations; reduce them to a lowly standard. Something real, cool and solid lies before you; something unromantic as Monday morning, when all who have work wake with the consciousness that they must rise and betake themselves thereto.
Charlotte Brontë
For thousands of years must Indian women have risen with the light to perform the Salutation of the Threshold. Thousands of years of simplicity and patience, like that of the peasant, like that of the grass, speak in the beautiful rite. It is this patience of woman that makes civilisations. It is this patience of the Indian woman, with this her mingling of large power of reverie, that has made and makes the Indian nationality.
Sister Nivedita
I am interested in sculpture that manipulates the viewer into a specific relation with both space and time. Time, on two levels; one narratively and cinematically as a matter of the passage through the work, and the other as a literal elongation of the moment. This has to do with form and colour and the propensity of colour to induce reverie. Consequently, I hope, an elongation of time. Space is as complex, the space contained in an objectmust be bigger than the object which contains it. My aim is to separate the object from its object-hood.
Anish Kapoor
...the real origin and essence of the hypnotic condition, is the induction of a habit of abstraction or mental concentration, in which, as in reverie or spontaneous abstraction, the powers of the mind are so much engrossed with a single idea or train of thought, as, for the nonce, to render the individual unconscious of, or indifferently conscious to, all other ideas, impressions, or trains of thought. The hypnotic sleep, therefore, is the very antithesis or opposite mental and physical condition to that which precedes and accompanies common sleep...
James Braid
Strictly speaking, the word hypnotism should be reserved only for those patients who actually fall into a state of sleep, and who forget upon awakening all that occurred during this state. When this is lacking, it is a question merely of reverie or dreaming. It would therefore be apposite to establish a terminology, characterising these modifications which result from the hypnotic process; indeed, with regard to those conditions resistant to ordinary medication and suitable for cure by hypnotism, hardly one patient in ten arrives at the unconscious stage of sleep (at least for the whole duration of the process). The word "hypnotism” can then lead them into error and make them believe that they do not benefit in any way from a process of which the characteristic and obvious effects do not appear to be those that the name [i. e., "hypnotic sleep"] indicates.
James Braid
On Sundays, among the crowds, I have often felt my heart tighten with distress as I watch the unknown women. Reverie has often held me all day because of one who has gone by and disappeared, leaving me a clear vision of her curtained room, and of herself, vibrating like a harp. She, perhaps, was the one I should have always loved; she whom I seek gropingly, desperately, from each to the next. Ah, what a delightful thing to see and to think of a distant woman always is, whoever she may be!
There are moments when I suffer, and am to be pitied. Assuredly, if one could read me really, no one would pity me. And yet all men are like me. If they are gifted with acceptable physique they dream of headlong adventures, they attempt them, and our heart never stands still. But no one acknowledges that, no one, ever.
Henri Barbusse