Gestalt Quotes
The basic thesis of gestalt theory might be formulated thus: there are contexts in which what is happening in the whole cannot be deduced from the characteristics of the separate pieces, but conversely; what happens to a part of the whole is, in clear-cut cases, determined by the laws of the inner structure of its whole.
Max Wertheimer
The subject of a gestalt demonstration knows that his perception has shifted because he can make it shift back and forth repeatedly while he holds the same book or piece of paper in his hands. Aware that nothing in his environment has changed, he directs his attention increasingly not to the figure (duck or rabbit) but to the lines of the paper he is looking at. Ultimately he may even learn to see those lines without seeing either of the figures, and he may then say (what he could not legitimately have said earlier) that it is these lines that he really sees but that he sees them alternately as a duck and as a rabbit. ...As in all similar psychological experiments, the effectiveness of the demonstration depends upon its being analyzable in this way. Unless there were an external standard with respect to which a switch of vision could be demonstrated, no conclusion about alternate perceptual possibilities could be drawn.
Thomas Samuel Kuhn
A schema is a configuration within the brain, either inborn or learned, against which the input of the nerve cells is compared. ...the conscious mind ...can fill in details that are missing from the actual sensory input and create a pattern in the mind which is not necessarily present in reality. In this way, the gestalt of objects-the impression...-is aided by the taxonomic powers of the schemata.
E. O. Wilson
The photographer's gesture as the search for a viewpoint onto a scene takes place within the possibilities offered by the apparatus. The photographer moves within specific categories of space and time regarding the scene: proximity and distance, bird- and worm's-eye views, frontal- and side-views, short or long exposures, etc. The Gestalt of space–time surrounding the scene is prefigured for the photographer by the categories of his camera. These categories are an a priori for him. He must ‘decide' within them: he must press the trigger.
Vilem Flusser
This is not the Cayce material, with information seemingly coming from some vast storehouse of knowledge. In those terms no such storehouse exists. Knowledge does not exist independently of the one who knows. Someone gave Cayce the material. It did not come out of thin air. It came from an excellent source, a pyramid gestalt personality, with definite characteristics, but the alien nature of the personality was too startling to Cayce, and he could not perceive it.
Robert Butts
Simply stated, this is one of the thumbnail passages that explain Seth's concept of God: "He is not human in your terms, though he passed through human stages; and here the Buddhist myth comes closest to approximating reality. He is not one individual, but an energy gestalt. If you remember what I said about the way in which the universe expands, that it has nothing to do with space, then you may perhaps dimly perceive the existence of a psychic pyramid of interrelated, ever-expanding consciousness that creates, simultaneously and instantaneously, universes and individuals that are given -- through the gifts of personal perspective -- duration, psychic comprehension, intelligence, and eternal validity.
Robert Butts
Theoretical psychology in its present state must try to develop a system of concepts which shows all the characteristics of a Gestalt, in which any part depends upon every other part. As we do not yet have the knowledge of facts which really suffices to determine this system of concepts and as, on the other hand, this knowledge of "facts" cannot be acquired without developing this system of concepts, there seems to be only one way open: to proceed slowly by tentative steps, to make decisions rather reluctantly, to keep in view always the whole field of psychology, and to stay in closest contact with the actual work of psychological research.
Kurt Lewin
Our civilization seems to be suffering a second curse of Babel: Just as the human race builds a tower of knowledge that reaches to the heavens, we are stricken by a malady in which we find ourselves attempting to communicate with each other in countless tongues of scientific specialization... The only goal of science appeared to be analytical, i. e., the splitting up of reality into ever smaller units and the isolation of individual causal trains...We may state as characteristic of modern science that this scheme of isolable units acting in one-way causality has proven to be insufficient. Hence the appearance, in all fields of science, of notions like wholeness, holistic, organismic, gestalt, etc., which all signify that, in the last resort, we must think in terms of systems of elements in mutual interaction...
Ludwig von Bertalanffy
What is Gestalt theory and what does it intend? Gestalt theory was the outcome of concrete investigations in psychology, logic, and epistemology. The prevailing situation at the time of its origin may be briefly sketched as follows. We go from the world of everyday events to that of science, and not unnaturally assume that in making this transition we shall gain a deeper and more precise understanding of essentials.
Max Wertheimer
A theory of haptics is expounded which the author feels will establish "a foundation for the Haptics of form and the psychology of the blind." He differentiates between "Haptics of an essentially optical character" and "pure or autonomous Haptics" such as is experienced by those blind from early childhood. The weaknesses of certain psychological theories such as Gestalt, are discussed in terms of Révész's haptic theory. Part II of the book analyzes the aesthetics of haptic form and the art of the blind. The work of blind sculptors is presented and is analyzed.
Géza Révész
To apply the category of cause and effect means to find out which parts of nature stand in this relation. Similarly, to apply the gestalt category means to find out which parts of nature belong as parts to functional wholes, to discover their position in these wholes, their degree of relative independence, and the articulation of larger wholes into sub-wholes.
Kurt Koffka
![Is it not conceivable, that each tone is the fusion of a sum of still more primitive elements with the Gestalt qualities bound up therewith?... No conclusive argument can be brought forward even against the possibility that we may not, penetrating ever more deeply in this manner, finally arrive at a single proto-quality, or at least at a single quality-continuum, from out of which distinct contents (colours, tones, Y) are generated by the fusion of distinct combinations with the Gestalt qualities bound up therewith, [so that] one can no longer shrink from the idea that tones and colours might be exhibited as the products of a much higher degree of complication of proto-elements as yet unknown. (Christian von Ehrenfels)](https://cdn.quotesdtb.com/img/quotes_images_webp/73/christian-von-ehrenfels-argument-948473.webp)
For the intimate fusion of touch, temperature and sometimes also taste and smell sensations into a single unified total impression raises the question of whether we do not have here Gestalt qualities which are built up upon a foundation belonging to several sensory regions. As can easily be recognized, it is just as possible that a complex of, say, touch and temperature sensations should provide the foundation for a Gestalt quality as should a complex of sound sensations. Indeed no a priori objection can be raised even against the idea that there should exist sound-colour-Gestalten spanning the data of the senses of sound and vision as something like a bridge - even though we do not believe that we can detect anything of this sort in sensation.
Christian von Ehrenfels
By a Gestalt quality we understand a positive content of presentation bound up in consciousness with the presence of complexes of mutually separable (i. e., independently presentable) elements. That complex of presentations which is necessary for the existence of a given Gestalt quality we call the foundation [Grundlage] of that quality.
Christian von Ehrenfels