Greene Quotes
I appeal to history. Among the generals of Washington in the Revolutionary War were Greene, Putnam, and Lee, who were of English descent; Wayne and Sullivan, who were of Irish descent; Marion, who was of French descent; Schuyler, who was of Dutch descent, and Muhlenberg and Herkimer, who were of German descent. But they were all of them Americans and nothing else, just as much as Washington. Carroll of Carrollton was a Catholic; Hancock a Protestant; Jefferson was heterodox from the standpoint of any orthodox creed; but these and all the other signers of the Declaration of Independence stood on an equality of duty and right and liberty, as Americans and nothing else.
Theodore Roosevelt
I wish to know your Excellency's pleasure about my returning to camp. I expect Mrs. Greene will be put to bed every day. She is very desirous of my stay until that event; and, as she has set her heart so much upon it, I could wish to gratify her, for fear of some disagreeable consequences, as women sometimes, under such circumstances, receive great injury by being disappointed.
Nathanael Greene
And sorrowing I to see the sommer flowers,
The lively greene, the lusty lease, forlorne,
The sturdy trees so shattred with the showers,
The fieldes so fade, that florisht so beforne:
It taught mee well, all earthly things be borne
To dye the death: for nought long time may last:
The sommer's beauty yeeldes to winter's blast.
Thomas Sackville, 1st Earl of Dorset
[On the question: 'What was your main stylistic influence up to this time']: The Renaissance chiefly - Piero, Mantegna, Uccello - but I was attracted also by the modern idioms - Léger, Picasso - and was close to the abstract painters on the project such as Stuart Davis, Burgoyne Diller, Arshile Gorky, Balcomb Greene, etc. At the time I did the Queens project, there was already a marked change in my work - it was becoming more concerned with cubist concepts of treating space.
Phillip Guston
I have two thoughts [on the question of interviewer Joseph S. Trovato: 'Were the projects a good thing for American art?']. That practically all of the best painters of my generation developed on the projects such as Pollock, de Kooning, Brooks, Hague (sculptor), B. Greene, and Baziotes. I could go on and on. My second thought is that the reason it was good is that it had a broad base due to the economic situation we were in - the depression - and all kinds of art and styles, plus all degrees of talent were employed. Everybody was given an opportunity to prove himself. The many painters I mentioned above who have come such a long way is proof of this.
Phillip Guston
Major Greene this evening fell into some conversation with me about the Divinity and satisfaction of Jesus Christ. All the argument he advanced was, "that a mere creature or finite being could not make satisfaction to infinite justice for any crimes," and that "these things are very mysterious." Thus mystery is made a convenient cover for absurdity.
John Adams