Hans Quotes
We [Hans Arp and Sophie Taeuber ] painted embroidered and made collages. All these works were drawn from the simplest forms and were probably the first examples of concrete art. These works are realities pure and independent with no meaning or cerebral intention. We rejected all mimesis and description, giving free reign to the elementary and spontaneous.
Jean Arp
When I was born 20.6. [18]87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my mother: 'Tom' or 'Happening', meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian's influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.... and at all I have much fun about Art.
Kurt Schwitters
We visited Meudon [c.1938] to see Hans Arp and though, to our disappointment, he was not there and his wife, Sofie Täuber showed us his studio. It was very quiet in the room so that one was aware of the movement in the forms... I thought of the poetic idea in [Hans] Arp's sculptures. I had never had any first-hand knowledge of the Dadaist movement, so that seeing his work for the first time freed me of many inhibitions and this helped me to see the figure in landscape with new eyes... Perhaps in freeing himself from material demands his idea transcended all possible limitations. I began to imagine the earth rising and becoming human.
Barbara Hepworth
He [ Hans Hofmann one of her art teachers] would come up to me [1937-38], look at my work, and do a critique half in English and half in German, but certainly nothing I could understand. When he left the room I would call George McNeil, who was then the monitor, over and I would ask: 'What did this man say to me?' Hoffman was teaching Cubism and that was pretty exciting. Matisse and Picasso were my highlights. It was as though I was swinging between them. First I started to work with color and then there was a heavy swing toward the linear.
Lee Krasner
![That's right, and then I worked with him [ Hans Hofmann ] a little more than that. When I had time I could come in and use his studio, in a sense, that is to say, if it was a still-life class, I could be doing any kind of abstraction at that point, using that as a take-off point.... here again, when you spoke earlier about Cubism, I say I really didn't get the first impact, the full impact of it [Cubism], until I worked with Hofmann. (Lee Krasner)](https://cdn.quotesdtb.com/img/quotes_images_webp/16/lee-krasner-abstraction-class-448416.webp)
I was very much surprised when Mill informed me that he had not read a line of Hegel, either in the original or in translation, and regarded the entire Hegelian philosophy as sterile and empty sophistry. I mentally confronted this with the opinion of the man at the Copenhagen University who knew the history of philosophy best, my teacher, Hans Brochner, who knew, so to speak, nothing of contemporary English and French philosophy, and did not think them worth studying. I came to the conclusion that here was a task for one who understood the thinkers of the two directions, who did not mutually understand one another. I thought that in philosophy, too, I knew what I wanted, and saw a road open in front of me.
Georg Brandes
By 1922, General Hans von Seeckt, commander of the German armed forces, was secretly advising his government: "Poland's existence is intolerable, incompatible with the essential conditions of Germany's life. Poland must go and will go". He added that Poland's obliteration "must be one of the fundamental objectives of German policy... With the disappearance of Poland will fall one of the strongest pillars of the Versailles Peace, the hegemony of France."
William L. Shirer
I have met Saddam Hussein exactly the same number of times as Donald Rumsfeld met him. The difference is that Donald Rumsfeld met him to sell him guns and to give him maps the better to target those guns. I met him to try and bring about an end to sanctions, suffering and war, and on the second of the two occasions, I met him to try and persuade him to let Dr Hans Blix and the United Nations weapons inspectors back into the country - a rather better use of two meetings with Saddam Hussein than your own Secretary of State for Defense made of his.
George Galloway
We believe in a democratic society by governments freely and periodically elected by the people... We believe, in the virtue of hard work and that those who work harder in society should be given greater rewards... We believe that the world does not owe us a living and that we have to earn our keep." Adapted from speech by S Rajaratnam, Minister for Foreign Affairs, at a dinner in honour of His Excellency Mr. Hans Dietrich Genscher, Minister for Foreign Affairs.
Sinnathamby Rajaratnam
The mania for self-observation and self-admiration in literature and the view that a work is the more true and the more convincing, the more directly the author reveals himself in it, are part of the intellectual inheritance of Rousseau. In the next hundred to hundred and fifty years everything of importance in European literature is stamped with this subjectivism. Not only Werther, René, Obermann, Adolphe, Jacopo Ortis, are among the successors of Saint-Preux, but also the heroes in later novels- from Balzac's Lucien de Rubempré, Stendhal's Julien Sorel, Flaubert's Frédéric Moreau and Emma Bovary to Tolstoy's Pierre, Proust's Marcel and Thomas Mann's Hans Castorp-are derived from it. They all suffer from the discrepancy between dream and reality and are the victim of the conflict between their illusions and practical, commonplace, middle-class life.
Arnold Hauser
My ideas developed under the influence of the bohemians or rather under Hans Jager [leader of the 'Kristiania Bohemia' since 1883]. Many people have mistakenly claimed that my ideas were formed under the influence of Strindberg and the Germans.. ..but that is wrong. They had already been formed by then.
Edvard Munch
Since the 1970s some seven-hundred-thousand people have signed up for a self-improvement called 'est', or as it's now called 'The Forum.' Est was the brainchild of a former used-car salesman named Jack Rosenberg. Back in the sixties, Rosenberg deserted his wife and four children in Philadelphia, changed his name to Werner Hans Erhard, and moved to California where he started another family, and, came up with the idea for est.
Ed Bradley
I admired and felt the anonymous structure of the work of Brancusi, Vantongerloo, Arp, and Taeuber-Arp [the wife of Hans Arp] whose studios I visited. [Kelly frequently visited Hans Arp and his wife in Paris and discussed his fresh-made art with them intensively]. Their work reinforced my own ideas for the creation of a Pré-Renaissance, European type art: its anonymous stone work, the object quality of the artifacts, the fact that the work was more important than the artist's personality. Of the Europeans, I mostly admired the way Picasso, Klee and Brancusi 'made' their art. Contrary to what has been said about me, Mondrian and Matisse did not interest me when I was in Paris. Mondrian's [paintings] could not be seen in Paris and when I did see them in Holland in 1953, I thought their structure too rigid and intellectual.
Ellsworth Kelly
The members of the Vienna Circle (Moritz Schlick, Rudolf Carnap, Philipp Frank, Hans Hahn, Herbert Feigl, Fritz Waismann, Kurt Godel, Otto Neurath and others) are working out a ‘Logical Empiricism'. Following Ernst Mach and Poincaré, but above all Russell and Wittgenstein, all the sciences are treated uniformly. Carnap's Logischer Aufbau der Welt (1928) shows in which direction future systematic work will move. Wittgenstein's Tractatus Logico-Philosophicus (1921) clarified, among other things, the position of logic and mathematics; besides the statements that make additions to what is meaningful, there are the ‘tautologies' that show us which transformations are possible within language. By its syntax the language of science excludes anything that is meaningless from the very beginning.
Otto Neurath