Modernist Quotes
When modernist poetry, or what not so long ago passed for modernist poetry, can reach the stage where the following piece by Mr. Ezra Pound is seriously offered as a poem, there is some justification for the plain reader and orthodox critic who shrinks from anything that may be labelled 'modernist' either in terms of condemnation or approbation.... Better he thinks, that ten authentic poets should be left for posterity to discover than one charlatan should be allowed to steal into the Temple of Fame.
Laura Riding
Modernist tasks and liberties have stirred up a canny diffidence among painters of the largest accomplishment when pressed to talk about their art. It appears unseemly, or naive, to have much to say about the pictures or to attach to them any explicit "program." No more theories expounding an ideal way of painting. And, as statements wither and with them counter-statements, hardly anything in the way of provocation either. Decorum suggests that artists sound somewhat trapped when being drawn out, and venturing a few cagey glimpses of intention.
Susan Sontag
My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, "Oh, what was that red or that blue picture of yours, I've forgotten what it was."
Lucian Freud
The Age of Insight is a product of my subsequent fascination with the intellectual history of Vienna from 1890 to 1918, as well as my interest in Austrian modernist art, psychoanalysis, art history, and the brain science that is my life's work. In this book I examine the ongoing dialogue between art and science that had its origins in fin-de-siècle Vienna...
Eric Kandel
"Why are they ashamed and miserable?"
"They're repenting they're white. Any thinking human does it. Don't you read your own history books? So if you attack those miserable moderns or modernist, knight, you'll be making a miserable historical mistake. You will be preventing whites from hating their own whiteness."
Don Quixote finally refused the dogs' attack on her attack: "Liberalism has never stopped me from doing anything", said the knight.
Kathy Acker
Tell a dream, lose a reader, said Henry James. Joyce told a dream, Finnegans Wake, and he told it in puns - cornily but rightly regarded as the lowest form of wit. This showed fantastic courage, and fantastic introversion. The truth is Joyce didn't love the reader, as you need to do. Well, he gave us Ulysses, incontestably the central modernist masterpiece; it is impossible to conceive of any future novel that might give the form such a violent evolutionary lurch. You can't help wondering, though. Joyce could have been the most popular boy in school, the funniest, the cleverest, the kindest. He ended with a more ambiguous distinction: he became the teacher's pet.
Martin Amis
It was the tragedy of modernist artists, Left or Right, that the much more effective political commitment of their own mass movements and politicians - not to mention their adversaries - rejected them. With the partial exception of Futurist-influenced Italian fascism, the new authoritarian regimes of both Right and Left preferred old-fashioned and gigantic monumental buildings and vistas in architecture, inspirational representations in both painting and sculpture, elaborate performances of the classics on stage, and ideological acceptability in literature.
Eric Hobsbawm
The so-called obscurity of modernist literature has, of course, a lot to do with the new stress on exegesis. When the overt meaning of a work can no longer be taken for granted, criticism is forced - or seems forced - to undertake the explication of the text of the work before doing anything else. But experience has shown us by now that the drift and shape of an "obscure" poem or novel can be grasped for the purposes of art without being "worked out." Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself.
Clement Greenberg
![Later I had two green ones [alligator pears] - not so perfect. I painted them several times [c. 1920] when the men [American modernist artists, a. o. Marsden Hartley ] didn't think much of what I was doing. They were all discussing Paul Cézanne, with long involved remarks about the 'plastic quality' of his form and colour. I was an outsider. My colour and form were not acceptable. It had nothing to do with Cézanne or anything else. I didn't understand what they were talking about why one colour was better than another... Years later when I finally got to Cézanne's Mont Sainte-Victoire in the south of France, I remember sitting there thinking, 'How could they attach all those analytical remarks to anything he did with that mountain? (Georgia O'Keeffe)](https://cdn.quotesdtb.com/img/quotes_images_webp/83/georgia-o-keeffe-alligator-957783.webp)
What theory can we use to get us out of the impending slump quickly and reliably? To use the 'new classical' theory of fluctuations begun at Chicago in the 1970s – the theory in which the "risk management" models are embedded – is unthinkable, since it is precisely the theory falsified by the asset price collapse. The thoughts of some have turned to John Maynard Keynes. His insights into uncertainty and speculation were deep. Yet his employment theory was problematic and the 'Keynesian' policy solutions are questionable at best.... At the end of his life Keynes wrote of 'modernist stuff, gone wrong and turned sour and silly'. He told his friend Friedrich Hayek he intended to re-examine his theory in his next book. He would have moved on. The admiration we all have for Keynes's fabulous contributions should not sway us from moving on.
Edmund Phelps