Syntax Quotes - page 2
The members of the Vienna Circle (Moritz Schlick, Rudolf Carnap, Philipp Frank, Hans Hahn, Herbert Feigl, Fritz Waismann, Kurt Godel, Otto Neurath and others) are working out a ‘Logical Empiricism'. Following Ernst Mach and Poincaré, but above all Russell and Wittgenstein, all the sciences are treated uniformly. Carnap's Logischer Aufbau der Welt (1928) shows in which direction future systematic work will move. Wittgenstein's Tractatus Logico-Philosophicus (1921) clarified, among other things, the position of logic and mathematics; besides the statements that make additions to what is meaningful, there are the ‘tautologies' that show us which transformations are possible within language. By its syntax the language of science excludes anything that is meaningless from the very beginning.
Otto Neurath
The paucity of its vocabulary and syntax is for the Beats essentially expressive of withdrawal from the standard civilization and its learning. On the other hand this paucity gives, instead of opportunities for thought and problem solving, considerable satisfaction in the act and energy of speaking itself, as is true of any simple adopted language, such as pig Latin. But this can have disadvantages. One learns to one's frustration that they regard talk as an end in itself, as a means of self-expression, without subject matter. In a Beat group it is bad form to assert or deny a proposition as true or false, probable or improbable, or to want to explore its meaning.
Paul Goodman
Concrete poetry began for me with the extraordinary sense that the syntax I had been using, the movement of language within me, af a physical level was no longer there. So it had to be replaced with something else with a syntax and movement that would be true of this new feeling.
Ian Hamilton Finlay
Ashtadhyayi Sanskrit treatise on grammar was written in the 6th to 5th century BCE by the Indian grammarian Panini. This work set the linguistic standards for Classical Sanskrit. It sums up in 4,000 sutras the science of phonetics and grammar that had evolved in the Vedic religion. Panini divided his work into eight chapters, each of which is further divided into quarter chapters, beyond defining the morphology and syntax of Sanskrit language.
Pāṇini
There are, then, syntactical problems in the fields of perceptual signs, aesthetic signs, the practical use of signs, and general linguistics which have not been treated within the framework of what today is regarded as logical syntax and yet which form part of syntactics as this is here conceived.
Charles W. Morris
With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
Mitchel Resnick
Surrealist methods would, moreover, demand to be heard. Everything is valid when it comes to obtaining the desired suddenness from certain associations. The pieces of paper that Picasso and Braque (in this quote Breton refers to the early collage art of the two Cubists, ed.) insert into their work have the same value as the introduction of a platitude into a literary analysis of the most rigorous sort. It is even permissible to entitle POEM what we get from the most random assemblage possible (observe, if you will, the syntax) of headlines and scraps of headlines cut out of the newspapers.
André Breton
Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar-room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.
Raymond Chandler
Poetry is an art form that demands heightened attention and retention. It both invites and rewards more intense involvement than we normally give to other kinds of speech. Poetic technique, therefore, is never esoteric but eminently practical. It serves at least two purposes. First, it announces that a poem differs from other kinds of speech, that it requires the audience's special attention. A poem begins by attracting our attention through its sound, shape, typography, syntax, texture, or tone. Second, the technique maintains the audience's involvement. All poetic form is a way of keeping the audience's attention beyond what ordinary language requires. Meter, for example, creates a gentle trance state in the auditor. Since poetry is more intense, condensed, and expressive than ordinary language, it needs these techniques to carry the burden of its message.
Dana Gioia
Somehow the inclination to write about my private life in public is related to the ability to do so. It is not enough to say that my mother and father do not want to write their autobiographies. It needs also to be said that they are unable to write to a public reader. They lack the skill. Though both of them can write in Spanish and English, they write in a hesitant manner. Their syntax is uncertain. Their vocabulary limited. The man who sits in his chair so many hours, and the woman at the ironing board-‘keeping busy because I don't want to get old'-will never be able to believe that any description of their personal lives could be understood by a stranger far from home.
Richard Rodriguez
I think my work still has a distinctive voice that is uniquely mine-and that voice is one of a person speaking Spanish in English. By that I mean that I write with the syntax and sensibility of Spanish, even when there isn't a syllable of Spanish present. It's engrained in the way I look at the world, and the way I construct sentences and stories. I was not aware of this when I wrote House, but I'm conscious of it now. What remains the same? Well, I am still as astonished by the world and as intuitive/foolish as ever, but I am aware that this is a good thing, and not ashamed of it as I was when I was young. The difference now is that I know myself. I think my writing is wiser, and, I hope, more complex.
Sandra Cisneros
The round-square may be impossible, but we believe in it because it is impossible. [E.E.] Cummings is a very great expert in all these, so to speak, illegal syntactical devices: his misuse of parts of speech, his use of negative prefixes, his word-coining, his systematic relation of words that grammar and syntax don't permit us to relate - all this makes him a magical bootlegger or moonshiner of language, one who intoxicates us on a clear liquor no government has legalized with its stamp.
Randall Jarrell