Intrusion Quotes - page 3
What we should desire creeps silently inside us and replaces what we really desire. ... We take jobs, make compromises, and settle down for the long wait, for the arrival of the future that will bring the reward of happiness we so justly deserve for our sacrifice of the pleasures of the moment. The process is so slow we scarcely notice the substitution of plastic for flesh. We forget how the body sang when it ran free; how it rejoiced in stretching, rolling, skipping, dancing, walking, eating, loving, bounding, leaping, resting.
Gradually the body beings to change to protect itself against the intrusion of joy or sorrow. It armors itself against the threat of playfulness and spontaneity. ... The working body is complete when it is thus armed against those emotions that would threaten the primacy of the work ethic and the pattern of delayed gratification upon which it rests.
Sam Keen
I knew that the mix of new social currents, the irresistible force of creators determined to make "their" films and the possible intrusion of government into the movie arena demanded my immediate action. ... My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry ... the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children.
Jack Valenti
The self-inflicted isolation of the contemporary artist and the mistrust levelled against the architect are both important contributing factors in the current situation of architectural art. The painter is anxious to keep intact the historical image of artist as loner, the intense sensitive, the genius and "maestro”; while the architect, feeling the watchful eye of his client constantly over his shoulder, approaches any extra-to-budget expense, such as art, with considerable trepidation, guarding jealously any intrusion into his building by potential glory-thieves. – Clarke in the essay 'Towards a New Constructivism', from his 1979 book Architectural Stained Glass.
Brian Clarke
Given what a powerful determinant, mostly for ill, skin color has been in human history and individual experience, it is surprising how little we know about its underlying genetics. This deficit, however, may have had less to do with the limitations of our science and more with the intrusion of politics into science; in an academic world terrorized by political correctness, even to study the molecular basis of such a characteristic has been something of a taboo.
James D. Watson