Pathos Quotes - page 3
The etude is a Romantic idea. It appeared in the early nineteenth century as a new genre: a short piece in which the musical interest is derived almost entirely from a single technical problem. A mechanical difficulty directly produces the music, its charm, and its pathos. Beauty and technique are united, but the creative stimulus is the hand, with its arrangement of muscles and tendons, its idiosyncratic shape.
Charles Rosen
The Scotch are too cautious to be witty - they take thought beforehand of their answers; they are not people of impulse, and wit is an impulse. "It springs spontaneous if it spring." But then they have humour, rich, racy, sly humour, full of national character, and nearly allied to pathos.
Letitia Elizabeth Landon
His [ Van Gogh's] pathos is alien to me, especially in my current phase, but he is certainly a genius. Pathetic to the point of being pathological, this endangered man can endanger one who does not see through him. Here a brain is consumed by the fire of a star. It frees itself in its work just before the catastrophe. Deepest tragedy takes place here, real tragedy, natural tragedy, exemplary tragedy. Permit me to be terrified.
Paul Klee
'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.
Jerry Saltz
Roles of pathos were available to boys at my high school, but I eschewed them in favor of a role more akin to Prosecutor, Ironist. I advanced by questions. In some more perfect world, like American Bandstand, I suppose I would have been happier in a sexually integrated high school. I knew how to talk to girls. I had two sisters. And I loved to talk. But early nonsexual female companionship would have come at a price. "Sissy” is the chrysalis of "darling.”.
Richard Rodriguez
It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie hat, Keaton's physical skills are often undervalued ... no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.
Roger Ebert
In the second part of the Phaedrus Plato attempts to clarify the nature of "true” rhetoric. ... it does not arise from a posterior unity which presupposes the duality of ratio and passio, but illuminates and influences the passions through its original, imaginative characters. Thus philosophy is not a posterior synthesis of pathos and logos but the original unity of the two under the power of the original archai. Plato sees true rhetoric as psychology which can fulfill its truly "moving” function only if it masters original images [eide]. Thus the true philosophy is rhetoric, and the true rhetoric is philosophy, a philosophy which does not need an "external” rhetoric to convince, and a rhetoric that does not need an "external” content of verity.
Ernesto Grassi
I am always finding out more reasons for loving you. If you send me out to walk among the rose-trees I shall find them in the shadows at their roots, and in the rain-drops that they shake from their buds. All the reading in the book of my life is about you, and the world outside tells me of you. Things fair and young and good I must needs love, because they are like you; there is pity in me, and I find a pathos in what is unlovely and old, because it is unlike.
Jean Ingelow