Salon Quotes - page 3
It is not a recognisable scene [his two paintings 'Dances at the spring', 1912 - Picabia painted the motion and the excitement of a peasant dance while he was on his honeymoon in the countryside of Italy; one version is lost]. There is no dancer, no spring, no light, no perspective, nothing other than the visible clue of the sentiments I am trying to express... I would draw your attention to a song of colours, which will bring out for others the joyful sensations and feelings inspired in me on those summer days when I found myself somewhere in the country near the Italian border, where there was a spring in a wonderful garden. A photograph of that spring and that garden would in now way look like my painting 'Dance at a spring' I was shown for the first time at the w:Salon d'Automne in Paris in 1912.
Francis Picabia
They [French critics of the Paris Salon of 1824, where his painting 'the Hay Wain' received a gold medal] are very amusing and acute - but very shallow and feeble. Thus one - after saying: "'it is but justice to admire the truth - 'the color' - and 'general vivacity' & richness -" – yet they want the objects more formed and defined &c, and say they are like the rich preludes in musick, and the full harmonious warblings of the Aeolian lyre, which means 'nothing,' and they call them orations - and harangues - and high-flown conversations affecting a careless ease - &c &v &c - Is not some of this 'blame' the highest 'praise' – what is poetry? – What is Coleridge's Ancient Mariner (the very best modern poem) but something like this?
John Constable
If I was accused of neglecting my art, or sacrificing my ideas for the sake of stupid ambition, then I would understand the critics; but as that isn't the case, there is nothing to be said. I sent a picture to the Salon for purely commercial reasons. Anyway, it is like some medicines – even if it does no good, it does no harm.
Pierre-Auguste Renoir
For years your treasure has been in the Stock Exchange, or the House of Commons, or the Salon, or the reviews that "really count" (if they still exist), or the drawing-rooms of Mayfair; and thither your heart perpetually tends to stray. Habit has you in its chains. You are not free.
Evelyn Underhill
My dear Theo.. ..Yesterday I saw the Corot exhibition. It included a painting of the 'Mount of Olives'; I'm glad he painted that. On the right, a group of olive trees, dark against the darkening blue sky; in the background hills covered with shrubs and a couple of tall trees, above them the evening star. There are 3 Corot's at the Salon [in Paris], very beautiful, the most beautiful one, painted shortly before his death, 'Women cutting wood', will probably appear as a woodcut in 'L'Illustration or Le Monde Illustré'.
Jean-Baptiste-Camille Corot
When I lost my mother, I thought, there's no point. Everything I have done, I'd done for her. I went to school for her. She gave me no pressure. You know, and it's important for me to say this because, you know, there's a stereotype of the Asian tiger mom. My mother was never such a mother. She said, whatever you want to do, as long as you're happy, you can do it. And worse comes to worst, she points to the desk. She works in a nail salon. She points to the desk beside her. There's always an empty desk in the salon. She says, you can sit down right here, and then we'll work together. So I had ultimate freedom to explore. And I think for me, you know, that freedom really was all to serve her. It was, how do I help my mother get out of the projects? Every immigrant has that dream.
Ocean Vuong
I had been in Paris for three years, I had been to all the museums, to Durand-Ruel's gallery and to all the last exhibitions of the old guard impressionists, when Seurat's art was revealed to me [in Paris, 1884] by [his large painting] 'The Bathers (Une Baignade) (Asnieres)', which I saw in the canteen of the Salon des Artistes Independants. Although I did not commit myself in writing, I then completely realized the importance of this painting; the masterpieces which were the logical consequences of it followed without bringing me again the spice of surprise. I think it was at the famous 'Eight Exhibition of Paintings' in the rue Laffitte [in Paris] that I first saw and became acquainted with Seurat and the painters he influenced.
Georges Seurat
[After leaving the w:Exposition Universelle (1855) ].. .I went to the Courbet exposition. He has reduced the price of admission to ten sous. I stayed there alone for nearly one hour and discovered a masterpiece in the picture, they rejected [the jury of the official Salon exhibition in Paris]. I simply could not tear myself away from the sight of it.. ..In [Courbet's painting 'The Studio'] the planes are well understood. There is atmosphere, and in some passages the execution is really remarkable, especially the tights and hips of the nude model and the breasts.. .The only fault is that the picture, as he painted it, seems to contain an ambiguity. It looks as though there were a real sky in the middle of the painting. They [The Salon-jury] have rejected one of the most remarkable works of our time, but Courbet is not the man to be discouraged by a little thing like that.
Gustave Courbet