Hemingway Quotes - page 3
As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.
Tim Cahill
The magical proposition of the gospel, once free from the clasps of fairy tale, was very adult to me, very gritty like something from Hemingway or Steinbeck, like something with copious amounts of sex and blood. Christian spirituality was not a children's story. It wasn't cute or neat. It was mystical and odd and clean, and it was reaching into the dirty. There was wonder in it and enchantment.
Perhaps, I thought, Christian spirituality really was the difference between illusion and magic.
Don Miller (author)
"Sixty years ago Catholics played a prominent, prestigious, and irreplaceable part in American literary culture...They included established fiction writers--Flannery O'Connor, Katherine Anne Porter, Walker Percy, J. F. Powers, Ernest Hemingway, Paul Horgan, Jack Kerouac, Julien Green, Pietro di Donato, Hisaye Yamamoto, Edwin O'Connor, Henry Morton Robinson, and Caroline Gordon. (Sociologist Father Andrew Greeley had yet to try his formidable hand at fiction.)...also science fiction and detective writers such as Anthony Boucher, Donald Westlake, August Delerth, and Walter Miller, Jr."...in American poetry...Allen Tate, Robert Lowell, Robert Fitzgerald, Kenneth Rexroth, John Berryman, Isabella Gardner, Phyllis McGinley, Claude McKay, Dunstan Thompson, John Frederick Nims, Brother Antoninus (William Everson), Thomas Merton, Josephine Jacobsen, and the Berrigan brothers, Ted and Daniel.... There were even Catholic haiku poets, notably Raymond Roseliep and Nick Virgilio" (15-16).
Dana Gioia
If I had not existed, someone else would have written me, Hemingway, Dostoevsky, all of us. Proof of that is that there are about three candidates for the authorship of Shakespeare's plays. But what is important is Hamlet and A Midsummer Night's Dream, not who wrote them, but that somebody did. The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn't have needed anyone since.
William Faulkner
In matters of personality, he had more in common with Hemingway than either man acknowledged-not only a combative spirit and a devotion to the cult of masculinity but also an abhorrence of romanticism and a nearly compulsive desire for order. Mencken's creed, stated later in his memoirs, is a close cousin of Hemingway's own. "Competence, indeed,” Mencken was to write, "is my chief admiration...And next to competence I put what is called being a good soldier-that is, not whining.”.
H. L. Mencken