Rembrandt Quotes - page 2
.. the best way to know God is to love many things. Love a friend, a wife, something, whatever you like... But one must love with a lofty and serious intimate sympathy, with strength, with intelligence... That leads to God, that leads to unwavering faith... To give you an example: someone loves Rembrandt, but seriously, - that man will know that there is a God, he will surely believe it... To try to understand the real significance, of what the great artists, the serious masters, tell us in their masterpieces, that leads to God..
Vincent van Gogh
We walked along Buitenkant and there by the sand works at the Oosterspoor [former train-station in Amsterdam], I can' tell you how beautiful it was there in the twilight. Rembrandt, Michel, [French Barbizon painter] and others have painted it, the ground dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out above, the lights in the windows everywhere, everything reflected in the water. And the people and carriages like small black figures everywhere. Like one sometimes sees in a Rembrandt. And it put us in such a mood that we began talking about all sorts of things.
Vincent van Gogh
My [dear] Sir: Let me first offer my kind regards. I agree that I should come soon to see how the picture accords with the rest. As regards the price, I certainly deserve 200 pounds for it, but shall be content with whatever His Excellency pays me. And if you, Sir, do not deem it presumptuous, I shall not neglect to requite the favor. Your humble and devoted servant Rembrandt - It [the picture] will show to [the] best advantage in His Excellency's gallery, since there it will be [displayed] in bright light.
Rembrandt
I maintain that the frustration is an important, almost crucial, ingredient. I think that the best painting involves frustration. The point about the late Rembrandt [paintings] is not that it's satisfying but on the contrary that it is disturbing and frustrating. Because really, what he [Rembrandt] has done is to eliminate any plane - anything between that image and you. The Van Dyck [portrait] hasn't. It says [only] I'm a painting. The Rembrandt says: I am not a painting, I am a real man. But he is not a real man either. What is it then, that you are looking at?
Phillip Guston
Before the blank canvas, the unrealized work, completely in the artist's head, must seem to him equal to the greatest. To say that which has never been said – is the reason for all artistic work. But only outside of the work should the artist worthily get down on his knees before the great artists of the past... Rembrandt in our days would be Rembrandt again, because the work of the master is his self. But in order to be Rembrandt in our days, he would have used new ways that would give a new culture.
Marianne von Werefkin
As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right.... There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each.... [with] standing light and the paintings positioned on an easel or standard behind.... I just want to add here, that my own studio can serve as a very special model.... concerning the sizes and the lighting.
Jozef Israëls
No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.
Jozef Israëls
My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated. This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise. I'm not claiming or denying that I have done such a thing but I do believe in [Robert] Bresson's method of creation through omission, not through addition.
Abbas Kiarostami
![These principles [in art], forgotten over time, were rediscovered by a few geniuses such as Rembrandt, Vélazquez, Délacroix, Corot and Manet. These principles can be deduced from innate principles within us, ideas of harmony, common to all unspoiled men.... these are the laws of harmony and color. (Paul Sérusier)](https://cdn.quotesdtb.com/img/quotes_images_webp/06/paul-s-rusier-art-962406.webp)
The one whom I honor most of all is Rembrandt. Rubens and Velasquez painted better than Rembrandt, but he was the greatest of all painters because he was most powerful humanly. His grasp of all things was from within out. He had something that surpassed all other painters-a great humanity. He is perhaps the only one who could have painted the Christ.
Fritz von Uhde
The culture-its excess-really suited me. I always liked Indian miniature painting much more than Renaissance painting. I didn't see what was so great about Rembrandt or Michelangelo. I liked paintings where there were 10,000 people in the scene and elephants and horses! I liked the carvings on Indian temples so much more than the simple architectural outlines.
Wendy Doniger
When I look in the mirror, I am slightly reminded of self-portraits by Durer and by Rembrandt, because they both show a degree of introspection. I see some element of disappointment; I see a sense of humour, but also something that is faintly ridiculous; and I see somebody who is frightened of being found out and thought lightweight.
Robert Winston
When I first started doing self-portraits – and I didn't start until I was in my 40s, quite late – I did these portraits where my hand was kind of stretched out toward the canvas, as if about to paint...I suppose I was imitating those famous poses of Goya or Rembrandt. But something felt so false about that. Somehow women don't have a secure place in the history of art and to portray myself in this way standing squarely, about to paint, it wasn't right.
Celia Paul