Amsterdam Quotes - page 2
Finally we hit upon the old cathedral of Amsterdam, which belongs to the Reformed Church and which we remodeled. The owners gave us permission, on certain financial conditions, to shoot the film there. Before that, we had planned to use the cathedral of Cologne, but two days before we began our preparations, The Cook, the Thief, His Wife, and Her Lover was shown on German television and the archbishop immediately forbade us from entering the cathedral site!
Peter Greenaway
We walked along Buitenkant and there by the sand works at the Oosterspoor [former train-station in Amsterdam], I can' tell you how beautiful it was there in the twilight. Rembrandt, Michel, [French Barbizon painter] and others have painted it, the ground dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out above, the lights in the windows everywhere, everything reflected in the water. And the people and carriages like small black figures everywhere. Like one sometimes sees in a Rembrandt. And it put us in such a mood that we began talking about all sorts of things.
Vincent van Gogh
Anno 1659 / On Wednesday, May 14 / You are requested to attend the funeral of / Aegtje Nachtglas / daughter of the late Jacob Pietersz / Nachtglas / at the Cleveniers-Doele [Amsterdam] at one o'clock. Come as friend of the house / Nieuwe-Kerck. [Verso] So eager to catch Christ out in his answer that they could not wait for written reply.
Rembrandt
There were two reasons why contemporary Jews were inclined to celebrate Spinoza. The first is Spinoza's assumed merit about mankind and only secondarily about the Jews; the second is his assumed merit about the Jewish people and only secondarily about mankind. Both reasons had induced contemporary Jews not only informally to rescind the excommunication which the Jewish community in Amsterdam had pronounced against Spinoza, but even, as Cohen put it, to canonize him.
Leo Strauss
I call to mind a winter landscape in Amsterdam - a flat foreground of waste land, with here and there stacks of timber, like the huts of a camp of some very miserable tribe; the long stretch of the Handelskade; cold, stone-faced quays, with the snow-sprinkled ground and the hard, frozen water of the canal, in which were set ships one behind another with their frosty mooring-ropes hanging slack and their decks idle and deserted, because... their cargoes were frozen-in up-country on barges and schuyts. In the distance, beyond the waste ground, and running parallel with the line of ships, a line of brown, warm-toned houses seemed bowed under snow-laden roofs. From afar at the end of Tsar Peter Straat, issued in the frosty air the tinkle of bells of the horse tramcars, appearing and disappearing in the opening between the buildings, like little toy carriages harnessed with toy horses and played with by people that appeared no bigger than children.
Joseph Conrad
What is the shortest way to travel from Rotterdam to Groningen, in general: from given city to given city. It is the algorithm for the shortest path, which I designed in about twenty minutes. One morning I was shopping in Amsterdam with my young fiancée, and tired, we sat down on the café terrace to drink a cup of coffee and I was just thinking about whether I could do this, and I then designed the algorithm for the shortest path. As I said, it was a twenty-minute invention. In fact, it was published in '59, three years late. The publication is still readable, it is, in fact, quite nice. One of the reasons that it is so nice was that I designed it without pencil and paper. I learned later that one of the advantages of designing without pencil and paper is that you are almost forced to avoid all avoidable complexities. Eventually that algorithm became, to my great amazement, one of the cornerstones of my fame.
Edsger W. Dijkstra
Here are 3 drawings that I have made for You. It will be satisfactory, if it will meet your expectation and what it is for [to make a painting]. The two landscapes are thoughts, but the one that suggests the moonlight is the castle at Doorenwaart in Gelderland. I also painted a painting of that subject which I enjoyed a lot in Amsterdam [because, purchased there by A. B. Roothaan there] (translation from original Dutch: Fons Heijnsbroek)
Andreas Schelfhout
Our plans were to go to Amsterdam and Laren tomorrow and then spend another day with you... I am very busy again with 7 paintings at the same time, I still have a lot to do before I can go to Laren, going to live there. Now, this week I can say it more confidently, - when we find a suitable location... We are on a leap of eating out therefore this scribbling..
Anton Mauve
I now have an abundance of models. Every woman I address on the street understands me pretty well. I never experienced anything like that, otherwise they always called me names. It is horrible that I don't have anyone [in Amsterdam] like you, because the only good I have heard about my works came from you. So visit me often.
George Hendrik Breitner
.. in an review of the exhibition in Arti, [in Amsterdam] you say that most of my submissions are not meant as a study. I don't know what you mean by study. I understand a study as a work I am painting directly after nature, with the aim hold on the casual tone, color and line. All of mine that is presented there, is immediately felt in nature and not one of the sketches is done by heart after received impressions for any paintings. I thought I had to tell you this, because then you might get a different view of it - whether you think they are more worthy or not because of this, I don't want to judge.... yours GH Breitner.
George Hendrik Breitner
Snow had fallen and from the museum [in Pittsburgh, The ] you had a beautiful view of a valley with a railway, through some sheds, etc. But I could not finish it, and today, Sunday, I went back there again, but then the snow was already so far away that I could not make anything of it any more. It is a pity. Otherwise I could have sold something. [The painting was sold to the Stedelijk Museum Amsterdam in 1934] (translation from the original Dutch, Fons Heijnsbroek)
George Hendrik Breitner
![It is just most delightful to me that I live in this way in the heart of Amsterdam. In a second you can eat somewhere and be back home again. You never have to wait for the tram. It is less than seven minutes [walking] from Dam Square. To me that is so unusual and so pleasant. I walk there daily.... the window [of his new studio] is about 2.25 m wide and high, and underneath a standing window of the same size, breadth-wise. (George Hendrik Breitner)](https://cdn.quotesdtb.com/img/quotes_images_webp/92/george-hendrik-breitner-daily-944292.webp)
It is not possible to make such things [paintings of street-views] without the help of photos. How do you want me to make an Amsterdam street. I make thumbnail sketches in my sketchbook. if it's possible I make a study from a window. and a sketch for the details after my choice. The composition is mine anyhow.
George Hendrik Breitner
I was sorry for Gabriel that all the efforts you have employed so diligently were in vain to help him to sell one of his paintings in [the exposition in Amsterdam, in] 'Arti'. Is there not any chance to order from him a small presentable painting (backed up by me, if it will help) for one or the other? He really deserves it and hundred guilders can mean so much at some moments.
Willem Roelofs
So there is no single European people. There is no single all-embracing community of culture and tradition among, say, Warsaw, Amsterdam, Berlin and Belgrade. In fact, there are at least four communities: the Northern Protestant, the Latin Catholic, the Greek Orthodox, and the Muslim Ottoman. There is no single language - there are more than twenty. (...) There are no real European political parties (...). And most significantly of all: unlike the United States, Europe still does not have a common story.
Geert Mak