Chuck Quotes - page 2
Just when you get really wound up, you turn a corner and you're somewhere else completely. You find an Arcadian glade - a glimpse of paradise in the middle of it all. And that's why you persevere. That's why you don't chuck yourself off a building or shoot yourself at the same time as someone else, like he [Carl] wanted us to.
Pete Doherty
John Lewell: Can you tell us: what exactly was Jack Warner like, as an employer?
Chuck Jones: Well, what he was like was nothing! We had nothing to do with Jack Warner. After fifteen years of direction (and the other person present, Friz Ferleng, had directed longer than that) we were finally invited by him to have lunch in the executive dining room. This was reserved for executives and favorite directors. Jack Warner was there. And Harry Warner was there. Jack didn't say very much to us. He was talking to other people about other things. But Harry Warner said: "The only thing I know about our cartoon department is that we make Mickey Mouse." Well, that was a little startling. It was the early 1950s, for God's sake! And so when we left, I said: "Don't worry, Mr Warner, we'll continue to make good Mickey Mouses!"
Chuck Jones
UFC is definitely a younger guy's sport. Our target audience is anywhere from age 17 to 35. And our fighters will be household names. Where I'd like to see it is like it is in Japan right now. We were just over there [on August 10, 2003] with Chuck Liddell, who was representing UFC in a UFC versus PRIDE fight. And he knocked out Alistair Overeem in the first round [3:09] of the PRIDE Grand Prix Elimination tournament. That was awesome, man. Chuck couldn't leave the place on Monday morning. He went to go shopping, to buy some things for his family, and he was swarmed for forty-five minutes. The mall security had to pull him out of there and throw him in a car. There were thirty seven thousand people at the event, and it was the first time the tournament was shown on free TV. So millions of people saw him fight that night – not only in Japan, but in the US.
Dana White
Arrangements to make people pay for using a program, including licensing of copies, always incur a tremendous cost to society through the cumbersome mechanisms necessary to figure out how much (that is, which programs) a person must pay for. And only a police state can force everyone to obey them. Consider a space station where air must be manufactured at great cost: charging each breather per liter of air may be fair, but wearing the metered gas mask all day and all night is intolerable even if everyone can afford to pay the air bill. And the TV cameras everywhere to see if you ever take the mask off are outrageous. It's better to support the air plant with a head tax and chuck the masks.
Copying all or parts of a program is as natural to a programmer as breathing, and as productive. It ought to be as free.
Richard Stallman
He was an extraordinary bloke. First of all he was very funny. He was straight but very camp. [He] came in and Visconte said, ‘Right, what are we doing?'. He said: ‘Well I haven't got any material, I've just got one guitar riff'. So he played us this guitar riff. It sounded a bit like Chuck Berry to me but I didn't say anything. He went out with the band and after two hours he said, ‘Right, got a song'. So we recorded it and took a few takes. He then said, ‘Right I've got a bit of a tune, just give me half an hour'. In 10 minutes he came back and said, ‘Right I've got the lyrics and got the tune'. So he'd written Get It On in 10 minutes basically. He went out there, sang it and in four or five takes we'd got it. There it was. The guy was absolutely astonishing.
Martin Rushent