Interviewer Quotes
![[Demystifying lesbian sex for an interviewer] In a way, the sex isn't really that different... From what I can tell, no, not really. All the things that men and women do together, think of everything that men and women do together, women and women can do together. And that makes you realize that sex is just simply about connecting with another person, or about intimacy... (Jennifer Beals)](https://cdn.quotesdtb.com/img/quotes_images_webp/65/jennifer-beals-different-everything-147665.webp)
Often, as an interviewer, particularly when you're talking to highly visible people, celebrities, and it's known that negative things have happened, they don't want to talk about it, or you have to really work up to it. You have to carefully construct the conversation so that they feel open enough to discuss some of those things with you.
Dave Itzkoff
Drew Barrymore: Eddie Vedder said something like, "The more you're known as a personality, the less you're accepted as an entertainer."
Edward Norton: I would agree with that. On the other hand, I hate the "dark prince" act that some actors put on when they're doing publicity. If it's for real, if you're really a dark prince, then don't sit down with an interviewer and act like a dark prince. I don't necessarily love doing these things, but once you've agreed to do them, I think you ought to get on board.
Edward Norton
Interviewer: Love is certainly at the center of tolerance. They're intertwined, in a certain way. It helps you appreciate difference.
Hockney: Yes. And that's probably why I do portraits. Everybody's different; they look different, and are different. Maybe deep, deep down we're all the same. But on the surface we seem to be different, don't we?
David Hockney
Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He's working with paint, not nature; he's making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I'm using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.
Roy Lichtenstein
