Progression Quotes
By the disposition of a stupendous wisdom, moulding together the great mysterious incorporation of the human race, the whole, at one time, is never old, or middle-aged, or young; but, in a condition of unchangeable constancy, moves on through the varied tenor of perpetual decay, fall, renovation, and progression.
Edmund Burke
There are progressive degrees of synergy, called synergy-of-synergies, which are complexes of behavior aggregates holistically unpredicted by the separate behaviors of any of their subcomplex components. Any subcomplex aggregate is only a component aggregation of an even greater event aggregation whose comprehensive behaviors are never predicted by the component aggregates alone. There is a synergetic progression in Universe-a hierarchy of total complex behaviors entirely unpredicted by their successive subcomplexes' behaviors. It is manifest that Universe is the maximum synergy-of-synergies, being utterly unpredicted by any of its parts.
Buckminster Fuller
The materialists say, it is by means of a series of straight lines more or less perfect that one imagines the perfect straight line as an ideal limit. That is right, but the progression in itself necessarily contains what is infinite; it is in relation to the perfect straight line that one can say that such and such a straight line is less twisted than some other. ... Either one conceives the infinite or one does not conceive at all.
Simone Weil
The progression of a painter's work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood.
Mark Rothko
I don't feel any direct relationship between what I do and existing art. Though there is unavoidable progression: the things all paintings have in common are paint, and color, and some means of application. With the standard you can make any two pictures appear either alike of different. I don't think whether they're alike or different is really very interesting.
Robert Rauschenberg