Patch Quotes - page 3
And as Paul said these things to himself, a wave of sadness washed over them as though they'd been written in sand. He was understanding now that no man could live without roots-roots in a patch of desert, a red clay field, a mountain slope, a rocky coast, a city street. In black loan, in mud or sand or rock or asphalt or carpet, every man had his roots down deep-in home.
Kurt Vonnegut
Human beings-any one of us, and our species as a whole-are not all-important, not at the center of the world. That is the one essential piece of information, the one great secret, offered by any encounter with the woods or the mountains or the ocean or any wilderness or chunk of nature or patch of night sky.
Bill McKibben
I began to draw from plant life and found the flat leaf forms were easier to do than thighs and breasts. I wanted to flatten. The plant drawings from that time until now have always been linear. They are exact observations of the form of the leaf or flower of fruit seen. Nothing is changed or added, no surface marking. They are not an approximation of the thing seen nor are they a personal expression or an abstraction. They are an impersonal observation of the form. When I applied the procedure to other things such as the vaulting of Notre Dame [church in Paris] or a patch of tar on the road, the subject of the drawings and the subsequent paintings were not recognizable even though they were exact copies of the thing seen. I wanted to use things that had no pictorial use.
Ellsworth Kelly
I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.
Peter Greenaway
America is just the country that shows how all the written guarantees in the world for freedom are no protection against tyranny and oppression of the worst kind. There the politician has come to be looked upon as the very scum of society. The peoples of the world are becoming profoundly dissatisfied and are not appeased by the promise of the social-democrats to patch up the State into a new engine of oppression.
Peter Kropotkin
It is not only the gulf between religions and cultures that plaques us today. There is the widening gulf between the rich and the poor, the world of plenty and the world of famine. We may think we can make a good patch work or mechanical arrangement to ameliorate such a division. But this I feel is an illusion. There is no economic solution to the ills of the world until the arts of originality - arts that are driven by mysterious strangeness - open the partialities and bias of tradition in ways that address the very core of our pre-possessions.
Wilson Harris
Assuming the simulators, or at least the early generations of them, have a very advanced knowledge of the laws of Nature, it's likely that they would still have incomplete knowledge of them. ...gradually the little flaws will begin to build up. ...The only escape is if their creatures intervene to patch up the problems one by one as they arise.
John D. Barrow
Florentine was now no more than a bright patch on the platform. He managed to see her take out her compact and wipe away the few traces of her tears. He closed his eyes and, as if he were already very far away, cherished that image of Florentine and her powder puff. Then he searched the crowd one last time for her thin, small face and her burning eyes. But she had already turned her back to leave before the train was out of sight.
Gabrielle Roy
![[JawlenskyPickWerefkin] Yes, we [ Marianne Werefkin and Gabriéle] shared very much the same tastes and ideas, when we lived together in this house (the so-called 'Russian house' in Murnau]. She was extremely perceptive and intelligent, but Jawlensky [living with Marianne Werefkin] didn't always approve her work... Suddenly Jawlensky would pick on some tiny detail of one of Marianne's best and most original pictures and exclaim: 'That patch of color, there, is laid on much too flat and smoothly. It's just like old Riepin' [famous Russian painter Ilya Repin ] and their common former teacher in Russia]. Of course it was nonsense and he was only saying it to annoy her. But Jawlensky really was a devotee of the 'touche de peinture' of the French Fauvists, rather than an innovator, a believer in a new kind of art of the future. (Gabriele Munter)](https://cdn.quotesdtb.com/img/quotes_images_webp/07/gabriele-munter-annoy-art-850007.webp)