Jason Quotes - page 4
Night threw her shadow on the world. Sailors out at sea looked up at the circling Bear and the stars of Orion. Travellers and watchmen longed for sleep, and oblivion came at last to mothers mourning for their children's death. In the town, dogs ceased to bark and men to call to one another; silence reigned over the deepening dark. But gentle sleep did not visit Medea. In her yearning for Jason, fretful cares kept her awake. She feared the great strength of the bulls; she saw him face them in the field of Ares; she saw him meet an ignominious end. Her heart fluttered within her, restless...
Apollonius of Rhodes
And now, from somewhere in the bowels of the earth, from the smoky stronghold where they slept, the pair of bulls appeared, breathing flames of fire. The Argonauts were terrified at the sight. But Jason planting his feet apart stood to receive them... He held his shield in front of him, and the two bulls, bellowing loudly, charged and butted it with their strong horns...
Apollonius of Rhodes
The bulls snorted and spurted from their mouths devouring flames, like a perforated crucible when the leather bellows of the smith, sometimes ceasing, sometimes blowing hard, have made a blaze and the fire leaps up from below with a terrific roar. The deadly heat assailed [Jason] on all sides with the force of lightning. But he was protected by Medea's magic.
Apollonius of Rhodes
Indeed I am ill-starred, for even if he dies I have no hope of happiness; with Jason dead, I should taste real misery. Away with modesty, farewell to my good name! Saved from all harm by me, let him go where he pleases, and let me die. On the very day of his success I could hang myself from a rafter or take a deadly poison. Yet even so my death would never save me from their wicked tongues. My fate would be the talk of every city in the world; and here the Colchian women would bandy my name about and drag it in mud – the girl who fancied a foreigner enough to die for him, disgraced her parents and her home, went off her head for love. What infamy would not be mine? Ah, how I grieve now for the folly of my passion! Better to die here in my room this very night, passing from life unnoticed, unreproached, than to carry through this horrible, this despicable scheme.
Apollonius of Rhodes
... I have been very fond of Jason ever since the time when I was putting human charity on trial and as he came home from the chase he met me at the mouth of the Anaurus. The river was in spate, for all the mountains and their high spurs were under snow and cataracts were roaring down their sides. I was disguised as an old woman and he took pity on me, lifted me up, and carried me across the flood on his shoulders. For that, I will never cease to honour him.
Apollonius of Rhodes
I always wanted to be a working stunt person and thats all I anticipated doing, never thinking that I would do any kind of acting because i have never been trained in any way and certainly never thinking anyone would ever want me to sign an autograph for them! (laughs) Of course everything changed the first time I played Jason. All of a sudden it was completely different it was fantastic, dont get me wrong, I didnt dislike it but I just never expected it. I think I tend to appreciate my situation and appreciate the fans sometimes more than other people might because I know without the horror fans I wouldnt be known as I am now. I attribute all that notoriety to the fans and thats why I try to be as accommodating and friendly to them as I can.
Kane Hodder
I always enjoyed horror, both as a kid and as a young man. Then when I was doing stunts in horror movies and was lucky enough to get the role as Jason the first time then that's when everything changed. Once you get known in horror then every small horror film wants you to be in their movie because your name is known in the horror genre and that helps sell the movie. Very often, if they're smart, they will offer you different kind of roles which I personally love. When somebody offers me something that I've never done before, that's what I'm looking for.
Kane Hodder
Jason listened to Mr. Hobart going on about violence and the uselessness of revenge and he nodded, but all the time, he was happy. He had done something. He had taken action. He had socked Bobo Kelton. Given him a bloody nose. He didn't think he'd ever hit anybody again but he had proved himself capable of doing it. And at the same moment, in Mr. Hobart's office, letting the principal's words fil the air but not his ears, he had vowed never to cry again.
Robert Cormier
The transcript lay there, waiting for him as he hung up the telephone. Waiting for him to open it again. Trent Interview. Subject: Dorrant. Jason Dorrant. Poor kid, but at least he was young, free, not caught and fixed in time, as if frozen in ambers. Like so many others. Like me. You are what you do, Lottie had said. But now I don't do anything.
Robert Cormier
So he ignored the heat now and wondered about what he should do next. If he was going to show what he could do and really did it this time instead of saying he did when he didn't, he remembered that Bobo Kelton hung around the Rec Center a lot, every day, showing off as usual, laughing and sly, as usual. Jason looked at the clock. Ten minutes before three. Hot afternoon. He knew that Bobo would be at the Center. All he had to do was go there and wait. Across the street. A beautiful feeling of sweetness came over him. He lifted his head, let the feeling carry him for a while, like a fresh breeze in his heart. Then he went into the kitchen and took the butcher knife out of the drawer.
Robert Cormier
The real reason was all the things Jason had seen Bobo do over the course of the year. Sly stuff. Tripping someone, pulling a guy's shirt out of his pants, slamming a locker door so that Johnny Moran's fingers got caught and jammed. Nobody did anything about Bobo. Merely accepted his actions. Or maybe didn't see his mean little tricks. But Jason prided himself on his powers of observation. When you're an outsider, and not part of the bunch, you're in a position to see what others don't see.
Robert Cormier
So you know how it all works. How first you confess and then are given absolution. You have to admit your sins before you can be forgiven." Jason nodded, wondering what being a Catholic and going to confession had to do with his situation here, his sudden predicament. "Well, there is something you have to do before we can take steps to protect you." A dim warning sounded somewhere in Jason's mind, his body, his spirit- he wasn't sure which or where but he was suddenly jolted thoroughly. Confession. A different word from confess. He suddenly saw where this man was going. He wanted Jason to confess. To confess to killing Alicia Bartlett. Jason almost giggled his disbelief, a reaction that was as unpremeditated and unexpected as a belch. "You want me to say I killed Alicia Bartlett?
Robert Cormier
Better be careful, Jason warned himself. Why should I be careful? A nagging thought just below the surface of his mind gave him an uneasy feeling again, the feeling that something was wrong, that things were not what they seemed. Was that his imagination or just being in this small office, no air-conditioning, not even an electric fan? For some reason, the blank walls bothered him. No pictures. And no windows. I want to get out of here.
Robert Cormier
Better be careful, Jason warned himself. Why should I be careful? A nagging thought just below the surface of his mind gave him an uneasy feeling again, the feeling that something was wrong, that things were not what they seemed. Was that his imagination or just being in this small office, no air-conditioning, not even an electric fan? For some reason, the blank walls bothered him. No pictures. And no windows. I want to get out of here. He realized that he could get out of there. He could simply get up and leave. He didn't have to even speak to anybody. Hadn't they said this was voluntary? He was a volunteer. Well, he didn't feel like being a volunteer anymore. He wanted to go home.
Robert Cormier
I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens, when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!
Angelique Rockas