Illustration Quotes - page 3
The best illustration I can give of his talent is that at Manchester United there was always a possession drill in training designed to develop our passing ability, which might be three players against another three players, or six versus six, or nine versus nine. But no matter what the numbers were, the side with Paul Scholes on their team would always win by keeping the most possession.
Paul Scholes
Men think that self-sacrifice is the most charming of all the cardinal virtues for women, and in order to keep it in healthy working order, they make opportunities for its illustration as often as possible. I would fain teach women that self-development is a higher duty than self-sacrifice.
Elizabeth Cady Stanton
Machinery of a very beautiful kind has been contrived for copying accurately, on a reduced or an enlarged scale, both medals and statues. The Venus de Medici itself could not be justly excluded from a purely industrial exhibition, if, placed in the centre of a series diminishing on the one side to a statuette of a foot high, and increasing on the other to a figure double her own height. Such a series, though fairly introduced as an illustration of industrial art, would, indeed, itself be highly interesting to the fine arts, as exhibiting the effect of change of magnitude, when the proportions remain identical.
Charles Babbage
Human labor, through all its forms, from the sharpening of a stake to the construction of a city or an epic, is one immense illustration of the perfect compensation of the universe. The absolute balance of Give and Take, the doctrine that every thing has its price, - and if that price is not paid, not that thing but something else is obtained, and that it is impossible to get any thing without its price, - is not less sublime in the columns of a leger than in the budgets of states, in the laws of light and darkness, in all the action and reaction of nature. I cannot doubt that the high laws which each man sees implicated in those processes with which he is conversant, the stern ethics which sparkle on his chisel-edge, which are measured out by his plumb and foot-rule, which stand as manifest in the footing of the shop-bill as in the history of a state, - do recommend to him his trade, and though seldom named, exalt his business to his imagination.
Ralph Waldo Emerson
I think of Abstract Art in the same way I think of all Art, Past and Present. I see it as divided into two Major categories, Objective and Subjective. Objective Art is Absolute Art. Subjective Art is Illustration, or communication by Symbols, Replicas, and Oblique Emotional Passes. They are both Art, but their Content has no Identity. Their difference cannot be defined as a difference of Idiom, because all Paintings have the Laws of Design as a common denominator. Design exists as an Idiom of Color-Space Logic, and it also exists in an Idiom of Representational Likenesses. Objective Art and Subjective Art exist in both Idioms. Their difference can only be defined in terms of what the Artist thinks his Purpose means-its Content as a Design Image.
Stuart Davis
If you cannot be great, be willing to serve God in that which is small. If you cannot do great things for Him, cheerfully do little ones. If you cannot be an Aaron to serve at the altar, or a Moses to guide the tribes, consent to be "a little maid" to Naaman the Syrian, for the honor of God's prophets, or a little child, for Christ's sake, to be set by Him in the midst of the people, as an illustration of the sweetness of humility.
Samuel Francis Smith
Illustration from the late-1900s up through the middle of the 20th century was absolutely amazing. In general, American culture was at its highest skill wise in every aspect of human life in the 1940s. It's all been downhill since then. You just open an old magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
John Kricfalusi
I have now reached a stage in the argument where I have to choose between being too definite or being too vague. If I set forth a concrete proposal in all its particulars, I expose myself to a hundred criticisms on points not essential to the principle of the plan. If I go further in the use of figures for illustration, I am involved more and more in guess-work; and I run the risk of getting the reader bogged in details which may be inaccurate and could certainly be amended without injury to the main fabric. Yet if I restrict myself to generalities, I do not give the reader enough to bite on; and am in fact shirking the issue, since the size, the order of magnitude, of the factors involved is not an irrelevant detail.
John Maynard Keynes
I respect personality; it is an abstract entitity. A certain number of lines and colors constituting a harmony, can be arranged infinite ways. The literary side in painting is a second element of personality; it may exist – it must exist – but only as a pretext; if it dominates, one fall into the realm of illustration. You see that I do not wish to legislate personality.
Paul Sérusier