Egyptian Quotes - page 2
..these reproductions were in Zwemmer's bookshop [in the 1920's]. I can see them now. They were black. There was one on Negro sculpture, one on Mexican sculpture, one on an Egyptian sculpture, and so on. And all these I knew. And in one of them was this small reproduction of the Chac Mool [famous Toltec-Maya sculpture]. It was the pose that struck me – this idea of a figure being on its back and turned upwards to the sky instead of lying on its side, which is a different sort of idea from the Renaissance, or Greek reclining figure, which is usually on its side. And this gave me all sorts of chances of making variations on it.
Henry Moore
The sixth grade seemed to please him from the beginning: he went through a brief Egyptian Period that baffled me - he tried to walk flat a great deal, sticking one arm in front of him and one in back of him, putting one foot behind the other. He declared Egyptians walked that way; I said if they did I didn't see how they got anything done, but Jem said they accomplished more than the Americans ever did, they invented toilet paper and perpetual embalming, and asked where would we be today if they hadn't? Atticus told me to delete the adjectives and I'd have the facts.
Harper Lee
The only method that proved effective, not justified or moral but effective, when Arabs plant mines on our side [is retaliation]. If we try to search for the [particular] Arab [who planted mines], it has not value. But if we harass the nearby village... then the population there comes out against the [infiltrators]... and the Egyptian Government and the Transjordanian Government are [driven] to prevent such incidents, because their prestige is [assailed], as the Jews have opened fire, and they are unready to begin a war... the method of collective punishment so far has proved effective.
Moshe Dayan
Freemasons, n. An order with secret rites, grotesque ceremonies and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucius, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids - always by a Freemason.
Ambrose Bierce
More high-reaching, subtle, many-sided, curious and profound than the Greek, more noble and humane than the Roman, more large and spiritual than the old Egyptian, more vast and original than any other Asiatic civilization, more intellectual than the European prior to the 18th century, possessing all that these had and more, it was the most powerful, self-possessed, stimulating and wide in influence of all past human cultures.
Sri Aurobindo
As an Egyptian of Palestinian origin teaching English literature at an American university, who had built his scholarly career on a Polish sailor that became an English writer (Joseph Conrad), Said's assertion that western orientalists could not comprehend the East and easterners because they were born into a different culture, seems somewhat bizarre.
Edward Said
I want to see the gardens and palace of the Alcazar where the Moorish Kings used to live. It is as perfect an architecture as the Egyptian, Greek or Gothic and just as beautiful, maybe more beautiful and it is well built for it looks as new as if it had just been done. We have to thanks these Moors for our greatest sciences, they did the big work for us, they started them, Algebra, Chemistry, Astronomy. They are our masters.
Thomas Eakins
It is impossible to understand Art and the glory of its history without avowing religious spirituality and the mythical roots that lead us to the very reason of being of the artistic phenomenon. Without the one or the other there would be no Egyptian pyramids, nor those of ancient Mexico. Would the Greek temples and Gothic cathedrals have existed?
Luis Barragán
The amazing part of the great Danish cartoon caper isn't that Muslims immediately engage in acts of mob violence when things don't go their way. That is de rigueur for the Religion of Peace. Their immediate response to all bad news is mass violence. That's a "dog bites man" story and belongs on page B-34, next to the grade school hot lunch menu and the birth notices. After an Egyptian ferry capsized recently, killing hundreds of passengers, a whole braying mob of passengers' relatives staged an organized attack on the company, throwing furniture out the window and burning the building to the ground. Witnesses say it was the most violent ocean liner-related incident since Carnival Cruise Lines fired Kathie Lee Gifford. The "offense to Islam" ruse is merely an excuse for Muslims to revert to their default mode: rioting and setting things on fire.
Ann Coulter
The messages cease to be messages when nobody can read them. Without a Rosetta stone, we would know nothing of all that was written in Egyptian hieroglyphs. They would be only elegant ornaments on papyrus or rock. To be meaningful - even to be recognized as pattern - every regularity must meet with complementary regularities, perhaps skills, and these skills are as evanescent as the patterns themselves. They, too, are written on sand or the surface of waters.
Gregory Bateson
The great Egyptian age is but a remnant of The Atlantian culture.
The antediluvian kings colonised the world
All the gods who play in the mythological dramas
In all legends from all lands were from fair Atlantis.
Knowing her fate, Atlantis sent out ships to all corners of the Earth.
On board were the Twelve:
The Poet, the Physician, the Farmer, the Scientist,
The Magician and the other so-called Gods of our legends.
Though gods they were -.
Donovan
Ingres was one of those artists to whom the outline was something sacred and magical, and the reason is that it was the means of reconciling the major conflict in his art, the conflict between abstraction and sensibility. The difference between what we see and a sheet of white paper with a few thin lines on it is very great. Yet this abstraction is one which we seem to have adopted almost instinctively at an early stage in our development not only in Neolithic graffiti but in early Egyptian drawings. And in spite of its abstract character, the outline is responsive to the least tremor of sensibility.
Kenneth Clark
In every field there is a need for writing where the main objective is to extend the reader's field of acquaintance with the complex cases of the real world. Such writing does not have to be very exact or quantitative; it does not even have to formulate or to demonstrate hypotheses. It constitutes, as it were, travel over the field of study. Travel is certainly not enough, even for a geographer, but we would feel, I imagine, that a geographer who had never travelled would be under a serious handicap. Similarly the student of organizations who has never, even vicariously through reading, been in a hospital, a bank, a research laboratory, a large corporation, a Soviet factory, a revolution, an Egyptian civil service department, and so on, has missed something. His generalizations are apt to be based on too narrow a selection of the field.
Kenneth Boulding
In the Egyptian and Eastern cosmogonies, and in the Greek version of them, no very definite meaning can, in general, be attached to the term 'destruction of the world,' for sometimes it would seem almost to imply the annihilation of our planetary system, and at others a mere revolution of the surface of the earth.
Charles Lyell
We know that the Egyptian priests were aware, not only that the soil beneath the plains of the Nile, but that also the hills bounding the great valley, contained marine shells; and it could hardly have escaped the observation of Eastern philosophers, that some soils were filled with fossil remains, since so many national works were executed on a magnificent scale by oriental monarchs in very remote eras.
Charles Lyell