Exhibition Quotes - page 3
Till mankind be satisfied with the naked statement of what they really perceive, till they confess virtue to be then most illustrious, when she more disdains the aid of ornament, they will never arrive at that manly justice of sentiment at which they seem destined one day to arrive. By his scheme of naked virtue will be every day a gainer; every succeeding observer willl more fully do her justice, while vice, deprived of that varnish with which she delighted to glow her actions of that gaudy exhibition which may be made alike by every pretender will speedily sink into unheeded contempt.
William Godwin
In 1964 I was at school, planning to study economics and sociology, when curiosity took me to the Tate Gallery to see an international survey exhibition of contemporary art. It brought together the painting and sculpture of the previous decade, beginning with the late works of the modern masters, Matisse and Picasso, and concluding with the twenty-seven year olds Allen Jones and David Hockney. I was bowled over. Suddenly, art was not just Turner and Constable, or Leonardo and Michelangelo, but objects of considerable size and brilliant colour, dealing with the sensations, subjects and issues of the Sixties.
Nicholas Serota
Today I saw an exhibition of old Japanese paintings and sculpture [in Paris]. I was seized by the great strangeness of these things. It makes our own art seem all the more conventional to me. Our art is very meager in expressing the emotions we have inside. Old Japanese art seems to have a better solution for that... We must put more weight on the fundamentals!! When I took my eyes from these pictures and began looking at the people around me, I suddenly saw that human being are more remarkable, much more striking and surprising than they have been painted. A sudden realization like that comes only at moments.
Paula Modersohn-Becker
There is one hit of mine which will not stay in the official records, but which I believe to be the longest clout ever made off a major league pitcher. At least some of the veteran sport writers told me they never saw such a wallop. The Yanks were playing an exhibition game with the Brooklyn Nationals at Jacksonville, Fla., in April, 1920. Al Mamaux was pitching for Brooklyn. In the first inning, the first ball he sent me was a nice, fast one, a little lower than my waist, straight across the heart of the plate. It was the kind I murder, and I swung to kill it. The last time we saw the ball it was swinging its way over the 10-foot outfield fence of Southside Park and going like a shot. The ball cleared the fence by at least 75 feet. Let's say the total distance traveled was 500 feet: the fence was 423 feet from the plate. If such a hit had been made at the Polo Grounds, I guess the ball would have come pretty close to the top of the screen in the centerfield bleachers.
Babe Ruth
I'm very sorry to inconvenience you [ the art dealers G. and J. Berheim-Jeune ], but I find it impossible to supply you with any more Venice pictures. It was useless trying to persuade my self otherwise, the work that's left is too poor for exhibition. Don't insist.. .I've enough good sense in me to know whether what I'm doing is good or bad, and it' utterly bad, and I can't believe that people of taste, if they have any knowledge at all, could see any value in it. Things have been dragging on like this for far too long..
Claude Monet
When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.
Martin Amis
It was there [India] I realised that engineering was not my cup of tea. I proceeded to London to look for avenues and got myself enrolled into Hornsey College of Art there. Initially, there was no hope for me, but one exhibition in 1979 made me. That proved to be extremely lucky for me.
Anish Kapoor
Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits. Artists are expected to fit into fraudulent categories. Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.
Robert Smithson
![After leaving [the International Exposition in Paris, with a lot of new machines], I went to see Courbet's exhibition; he has reduced the admission to ten cents. I stay there alone for nearly an hour and discover that the picture [ 'L'atélier' / the Painter's Studio - 1855] of his which they refused [for exposing on the official Salon in Paris ] is a masterpiece; I simply could not tear myself away from the sight of it. (Eugène Delacroix)](https://cdn.quotesdtb.com/img/quotes_images_webp/41/eug-ne-delacroix-admission-279341.webp)
One has to see a painter in his own place to get an idea of his worth. I went back there [to Corot's studio, after the official exhibition] and I appreciate in a new light the paintings that I had seen in the Museum and that had struck me as middling... He told me to go a bit ahead of myself, abandoning myself to whatever might come; this is how he works most of the time... Corot delves deeply into a subject; ideas come to him and he adds while working; it's the right approach.
Eugène Delacroix
Knowing Corot's ideas on tone [copy of a private letter, October 28, 1875].. and Couture's precepts on the subtlety of tints (at the time of his exhibition), having been struck by the intuition of Monet and Pissarro.. .Rood having been brought to my attention in an article by w:Philippe Gille, Figaro 1881, 3.
Georges Seurat
I insist on establishing the following dates indicating my prior paternity, [and the discussions that I held]
1884, 'Grande Jatte' study, exhibition of the Independants
1884-1885, 'Grande Jatte' composition
1885, studies at the 'Grande Jatte' and at Grandcamp; I took up again the 'Grande Jatte' composition October 1886. 4 October [18]85 I make Pissarro's acquaintance at Durand-Ruel's.
1886, January or February, a small canvas by Pissarro, divided and pure color, at Clozet's, the dealer on the Rue de Chateaudun.
Georges Seurat
In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled "Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world.
Thomas Pynchon